Word and Image in Japanese Cinema

In exploring the rift between word and image, the essays in this volume clarify the cultural imperatives that Japanese cinema reflects, as well as the ways in which the dialectic of word and image has informed the understanding and critical ...

Word and Image in Japanese Cinema

Word and Image in Japanese Cinema examines the complex relationship between the temporal order of linguistic narrative and the spatiality of visual spectacle, a dynamic that has played an important role in much of Japanese film. The tension between the controlling order of words and the liberating fragmentation of images has been an important force that has shaped modern culture in Japan and that has also determined the evolution of its cinema. In exploring the rift between word and image, the essays in this volume clarify the cultural imperatives that Japanese cinema reflects, as well as the ways in which the dialectic of word and image has informed the understanding and critical reception of Japanese cinema in the West.

The Language of Comics Word and Image

I would like to suggest that certain inter-relationships between word and image,
or between symbol and icon that the words and images evoke, cause something
like a dissonance within the reader, a dissonance that can on occasion be ...

The Language of Comics  Word and Image


The Culture of Fragments

This volume will be of interest to scholars of twentieth-century French or Italian literature or painting, and to scholars of word and image studies.

The Culture of Fragments

Works of art such as paintings with words on them or poems shaped as images communicate to the viewer by means of more than one medium. Here is presented a particular group of hybrid art works from the early twentieth century, to discover in what way words and images can function together to create meaning. The four central artists considered in this study investigate word/image forms in their work. F.T. Marinetti invented parole in libertà, among other ideas, to free language from syntactic connections. Umberto Boccioni experimented with newspaper clippings on the canvas from 1912-1915, and these collages constitute an important exploration into word/image forms. André Breton's collection of poems Clair de terre (1923) contains several typographical variations for iconographic effect. René Magritte explored the relationship between words and images, juxtaposing signifiers to contradictory signifieds on the canvas. A final chapter introduces media other than poetry and painting on which words and images appear. Posters, the theater, and the relatively new medium of cinema foreground words and images constantly. This volume will be of interest to scholars of twentieth-century French or Italian literature or painting, and to scholars of word and image studies.

Between Word and Image

Focusing on Heidegger and the work of Paul Klee, Schmidt pursues larger issues in the relationship between word, image, and truth.

Between Word and Image

Engagement with the image has played a decisive role in the formulation of the very idea of philosophy since Plato. Identifying pivotal moments in the history of philosophy, Dennis J. Schmidt develops the question of philosophy's regard of the image in thinking by considering painting—where the image most clearly calls attention to itself as an image. Focusing on Heidegger and the work of Paul Klee, Schmidt pursues larger issues in the relationship between word, image, and truth. As he investigates alternative ways of thinking about truth through word and image, Schmidt shows how the form of art can indeed possess the capacity to change its viewers.

Word and Image

Word and Image


Word and Image

Third, by Working with both Word and image, The Saint john's Bible utilizes tWo
human sensesihearing and sight. The Bible is meant to be read aloud, preferably
within a community at prayer and Worship together. Images, on the other hand, ...

Word and Image

The story of the creation of The Saint Johns Biblethe first commissioned, handwritten Bible in five hundred years and the first Bible of this magnitude written in English using a contemporary translationhas been told elsewhere. In Word and Image, Fr. Michael Patella focuses not on how it was made but on how, now that it is finished, it can be read, viewed, and interpreted. Patella considers the centuries-long tradition of illuminated Bibles and also the fascinating ways this Bible reflects third-millennium concerns. He seeks to rekindle interest in sacred art by allowing The Saint John's Bible to teach its readers and viewers how to work with text and image. As an accomplished Scripture scholar, a monk of the abbey that commissioned the Bible, and the chair of the Committee on Illumination and Text that provided the vision to the artists who created it, Patella may be the only one who could write this book with such insight, expertise, and love.

Word and Image in Arthurian Literature

Preface. With two exceptions, the articles in this book are revised and expanded
papers from the “Word and Image” sessions at the XVIIth International Congress
of the Arthurian Society, held in Bonn, Germany, 23-30 July 1993. Together, they
 ...

Word and Image in Arthurian Literature

Originally published in 1996, the articles in this book are revised, expanded papers from a session at the 17th International Congress of the Arthurian Society held in 1993. The chapters cover Arthurian studies’ directions at the time, showcasing analysis of varied aspects of visual representation and relation to literary themes. Close attention to the historical context is a key feature of this work, investigating the linkage between texts and images in the Middle Ages and beyond.

Word and Image in Medieval Kabbalah

Word and Image in Medieval Kabbalah: The Texts, Commentaries, and Diagrams
of the Sefer Yetsirah by Marla Segol Heloise andthe Paraclete: A TwelfthCentury
Quest (forthcoming) by MaryMartin McLaughlin WORD AND IMAGE IN ...

Word and Image in Medieval Kabbalah

The Sefer Yetsirah (the Book of Creation ) is a core text of the early kabbalah, yet scholars have struggled to establish even the most basic facts about the work. This project attempts to discover the ways in which diagrams accompanying the text and its commentaries show trends in the development of the kabbalistic tradition as a whole.

Word Image in Colonial and Postcolonial Literatures and Cultures

Word & Image – Gaze & Spectacle MICHAEL MEYER SYSTEMATIC
INTRODUCTION to the differences and similarities between studies of word and
image-relationships with a long tradition and the more recent visual culture
studies would ...

Word   Image in Colonial and Postcolonial Literatures and Cultures

Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at the ideology of form, especially the gendered and racial implications of the gaze and the voice in various media and intermedial transformations. Analyses of how culturally specific forms of visual and verbal expression are individually understood and manipulated complement reflections on the potential and limitations of representation. The juxtaposition of visual and verbal signifiers explores the gap between them as a space beyond cultural boundaries.Topics treated include: Caliban; English satirical iconotexts; Oriental travel writing and illustration; expatriate description and picturesque illustration of Edinburgh; ethnographic film; African studio photography; South African cartoons; imagery, ekphrasis, and race in South African art and fiction; face and visuality, representation and memory in Asian fiction; Bollywood; Asian historical film; Asian-British pop music; Australian landscape in painting and fiction; indigenous children's fiction from Aotearoa New Zealand, Canada, and the USA; Canadian photography; Native Americans in film.Writers and artists discussed include: Philip Kwame Apagya; the Asian Dub Foundation; Breyten Breytenbach; Richard Burton; Peter Carey; Gurinder Chadha; Daniel Chodowiecki; J.M. Coetzee; Ashutosh Gowariker; Patricia Grace; W. Greatbatch; Hogarth; Francis K. Honny; Jim Jarmusch; Robyn Kahukiwa; Seydou Keita; Thomas King; Vladyana Krykorka; Alfred Kubin; Michael Arvaarluk Kusugak; Kathleen and Michael Lacapa; László Lakner; George Littlechild; Ken Lum; Franz Marc; Zakes Mda; Ketan Mehta; M.I.A. (Maya Arulpragasam); Timothy Mo; William Kent Monkman; Lady Mary Wortley Montagu; John Hamilton Mortimer; Sidney Nolan; Jean Rouch; Salman Rushdie; William Shakespeare; Robert Louis Stevenson; Richard Van C& Zapiro.

Word and Image

Word and Image