In a novel about global politics and the fate of truth in modern times, Harry Pendel, a tailor in Panama City who can claim politicians, presidents, crooks, and conmen among his customers, becomes an unlikely spy for British intelligence
This text provides an introduction to a writer who is arguably 20th-century England's most successful serious novelist and one of the foremost living figure in English literature of espionage and detection. The author aims to establish that le Carre's fiction transcends the genre of espionage writing, and that he is pre-eminently a social commentator who writes novels of manners.
John Boorman has written and directed more than 25 television and feature films, including such classics as Deliverance, Point Blank, Hope and Glory, and Excalibur. He has been nominated for five Academy Awards, including twice for best Director (Deliverance and Hope and Glory). In the first full-length critical study of the director in more than two decades, author Brian Hoyle presents a comprehensive film-by-film examination of Boorman’s career to date.
Offers the critic's reviews from January 2000 through mid-June 2002 on more than 600 movies, in a volume complemented by interviews and the author's essay of the year. Original. for the Movie Answer Man," and more. Original.
Using espionage as a metaphor for politics, John le Carré explores the dilemmas that confront individuals and governments as they act during and in the aftermath of the Cold War. His unforgettable characters struggle to maintain personal and professional integrity while facing conflicting personal, institutional, and ideological loyalties. In The Spy Novels of John le Carré , author Myron Aronoff interprets the ambiguous ethical and political implications of the work of John le Carré, revealing him to be one of the most important political writers of our time. Aronoff shows how through his writing, le Carré poses the difficult question of to what extent are western governments justified in pursuing raison d'état without undermining the very democratic freedoms that they claim to defend. He also draws parallels between the self-parody of le Carré and that of the seventeenth-century Dutch artist Jan Steen, and explains how it expresses a unique form of ambiguous moralism. In this volume Aronoff relates le Carré's fictional world to the real world of espionage, and demonstrates the need to balance the imperatives of ethics and politics in regard to some of the most pressing issues facing the world today.
For almost thirty years, David Thomson’s Biographical Dictionary of Film has been not merely “the finest reference book ever written about movies” (Graham Fuller, Interview), not merely the “desert island book” of art critic David Sylvester, not merely “a great, crazy masterpiece” (Geoff Dyer, The Guardian), but also “fiendishly seductive” (Greil Marcus, Rolling Stone). This new edition updates the older entries and adds 30 new ones: Darren Aronofsky, Emmanuelle Beart, Jerry Bruckheimer, Larry Clark, Jennifer Connelly, Chris Cooper, Sofia Coppola, Alfonso Cuaron, Richard Curtis, Sir Richard Eyre, Sir Michael Gambon, Christopher Guest, Alejandro Gonzalez Inarritu, Spike Jonze, Wong Kar-Wai, Laura Linney, Tobey Maguire, Michael Moore, Samantha Morton, Mike Myers, Christopher Nolan, Dennis Price, Adam Sandler, Kevin Smith, Kiefer Sutherland, Charlize Theron, Larry Wachowski and Andy Wachowski, Lew Wasserman, Naomi Watts, and Ray Winstone. In all, the book includes more than 1300 entries, some of them just a pungent paragraph, some of them several thousand words long. In addition to the new “musts,” Thomson has added key figures from film history–lively anatomies of Graham Greene, Eddie Cantor, Pauline Kael, Abbott and Costello, Noël Coward, Hoagy Carmichael, Dorothy Gish, Rin Tin Tin, and more. Here is a great, rare book, one that encompasses the chaos of art, entertainment, money, vulgarity, and nonsense that we call the movies. Personal, opinionated, funny, daring, provocative, and passionate, it is the one book that every filmmaker and film buff must own. Time Out named it one of the ten best books of the 1990s. Gavin Lambert recognized it as “a work of imagination in its own right.” Now better than ever–a masterwork by the man playwright David Hare called “the most stimulating and thoughtful film critic now writing.”
Master spy thriller writer John le Carré talks about his craft, the nature of language, the literature he loves, and the ways his life influences the creation of his novels and his characters in this collection of engaging interviews with George Plimpton, Melvyn Bragg, and other luminaries. Simultaneous.
This is the true story of a savvy, seemingly tough columnist who could take on Clintons, Bushes, VIPs from New York to Hollywood--but is taken prisoner by the love of a tiny Yorkie who taught her more about joy and survival than any human could have. After The New York Post's Cindy Adams lost her husband Joey, finding a new companion was the last thing on her mind. But one day, an unannounced visitor brought just that, in the form Cindy least expected: a dog named Jazzy. Although Cindy had never considered herself a dog lover before, Jazzy quickly moved from unwelcome surprise to her closest family member. Cindy brings her famous wit, smarts and taste for celebrity dish to the page in recounting her hilarious first year with Jazzy--which gave her a new leash on life. This book will touch anyone who's ever lost someone dear.