Inspired by the painting by the Swiss artist Arnold Böcklin, Rachmaninoff composed his symphonic poem in the spring of 1909, completing it while on tour in Dresden just two weeks before the premiere - given in Moscow on 1 May 1909 with the composer conducting the Moscow Philharmonic. The score reproduced here is an authoritative Soviet score issued some time after the composer's death. Unlike so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is readable. IMSLP page Wikipedia article
After the Rite: Stravinsky's Path to Neoclassicism (1914-1925) traces the evolution of Stravinsky's compositional style as he searched for his own voice in the explosive musical world of the early 20th century as he responded to harsh criticisms of his work.
Release on 1999 | by Antonio Vivaldi,Eleanor Selfridge-Field
Author: Antonio Vivaldi,Eleanor Selfridge-Field
Pubpsher: Courier Corporation
One of the most popular of all violin concerti, this baroque masterpiece of "program" music was composed as a musical illustration of four sonnets. Painstakingly researched by baroque authority Dr. Eleanor Selfridge-Field, this miniature score edition offers a modern, authoritative, and up-to-date edition that incorporates Vivaldi's Italian descriptive notes directly in the music.
The composer's final symphony is a masterwork of lush orchestration and deep melancholy. This miniature score, an unabridged reproduction from an authoritative source, is a handy and inexpensive volume.
In this second edition of Orchestral “Pops” Music: A Handbook, Lucy Manning brings forward to the present her remarkable compendium of information about this form of orchestral music. Since the appearance of the first edition in 2008, this work has proven critical to successful “pops” concert programming. With changes in publishers and agents, the discontinuation of the publication of certain original material or, worst of all, presses going out of business, music directors, orchestra conductors, and professional instrumentalists face formidable challenges in tracking down accurate information about this vast repertoire. This revised handbook alleviates the time-consuming task of researching these changes by offering a list of works for orchestral “pops” concerts that is comprehensive, informative, and current. Manning’s emphasis on clarity and accuracy gives users an indispensable tool for gathering vital information on the style, instrumentation, and availability of the repertoire listed, as well as notes on its performance. The user-friendly appendices include expanded instrumentation choices, easy-to-find durations, and handy title cross-references. In addition to corrections and updates, this new edition of Orchestral “Pops” Music includes at least 1,000 new title listings. Orchestral “Pops” Music: A Handbook is the ideal tool for working conductors and orchestral librarians, as well as music program directors at colleges, conservatories, and orchestras.
Familiar to conductors, orchestra managers, and music librarians, this classic sourcebook of information necessary to plan orchestral programs and organize rehearsals has been greatly expanded and revised. The fourth edition features nearly 6400 compositions that cover the standard repertoire for American orchestras (a 42% increase over the third edition), clearer entries, and a more useful system of appendixes. Included for the first time are entries from the American Symphony Orchestra League's OLIS repertoire database.
The first full biography of John Ogdon; a tortured genius and arguably the greatest British pianist of all time. From the beginning of his professional career as a soloist John Ogdon was hailed as a musician of rare understanding and phenomenal technical gifts. Able to play and memorize just about any score at sight, tales of his impossible exploits at the keyboard are legion. Yet Ogdon was a man of extremes and it was this very extremity, while the source of much of his gift, that also led to appalling suffering. Here was a man whose feelings were inexpressibly deep and often tormenting, and Ogdon's glory days, following his coveted Tchaikovsky prize in 1962, came to a sudden end in 1973 when he suffered a severe mental breakdown which led to his being certified insane and made patient of the Court of Protection. Over the course of several harrowing years Ogdon would spend large periods of time in and out of psychiatric wards and halfway houses. The drugs and treatments prescribed sometimes affected his coordination, and his reputation suffered as a result. Yet Ogdon's commitment to his art remained undimmed, and until the end he drew out performances of tremendous beauty and conviction from the depths of his ravaged heart. In this illuminating biography, Charles Beauclerk explores the life of a brilliantly inspired artist, for whom music was both his cross and his salvation.
Release on 2008-10-21 | by Walter Martin,Jill Martin Rische,Kurt Van Gorden,Kevin Rische
Author: Walter Martin,Jill Martin Rische,Kurt Van Gorden,Kevin Rische
Pubpsher: Thomas Nelson
The Kingdom of the Occult delivers the timely followup to Dr. Martin's best-selling The Kingdom of the Cults This book takes Dr. Walter Martin's comprehensive knowledge and his dynamic teaching style and forges a strong weapon against the world of the Occult-a weapon of the same scope and power as his phenomenal thirty-five year bestseller, The Kingdom of the Cults (over 875,000 sold). Chapters include: Witchcraft and Wicca, Satanism, Pagan Religions, Tools of the Occult, Demon Possession and Exorcism, Spiritual Warfare, etc. Features include: Each chapter contains: Quick Facts; History; Case Studies; Theology; Resources