From the prize-winning author of Motherless Brooklyn, a daring, riotous, sweeping novel that spins the tale of two friends and their adventures in late 20th-century America. This is the story of two boys, Dylan Ebdus and Mingus Rude. They live in Brooklyn and are friends and neighbours; but since Dylan is white and Mingus is black, their friendship is not simple. This is the story of 1970s America, a time when the simplest decisions - what music you listen to, whether to speak to the kid in the seat next to you, whether to give up your lunch money - are laden with potential political, social and racial disaster. This is also the story of 1990s America, when nobody cared anymore. This is the story of what would happen if two teenaged boys obsessed with comic book heroes actually had superpowers: they would screw up their lives.
Welcome to the secret headquarters of Superman. Deep in the arctic are hundreds of trophies, awards, and souvenirs. Each one has a story. Each one tells a tale. In this action-packed hi-lo set, reluctant readers will uncover the mysteries behind the Man of Steel's most prized possessions. They'll discover how each one earned its place in the Fortress of Solitude!
For individuals who are interested in how Defoe's Robinson Crusoe and other narratives of shipwrecks and castaways influenced antebellum American Culture, Shawn Thomson's The Fortress of American Solitude is useful. More specifically, for Melville scholars, the second, third, and fourth chapters provide some interesting insight into possible readings for how Defoe's novel-and the castaway genre in general-may have influenced Melville's call to sea and the penning of some of his most interesting characters.
Literary Nonfiction. As a black woman and a comics geek, Stacie Williams identified strongly with one aspect of The Fortress of Solitude--its portrayal of gentrification. For Jonathan Lethem's characters, and for Williams in her own life, gentrification is a stand-in for racism--the "Big Bad" that affects education, policing, and housing policy. Tracing her experience of living in Chicago, Boston, Milwaukee, Cleveland, and Lexington, Kentucky, Williams tests the limits of how far Lethem's superhero narrative frames the most American of experiences. This is part of Fiction Advocate's Afterwords series.
A dead man is brought back to life so he can support his family in "The Happy Man"; occasionally he slips into a zombielike state while his soul is tortured in Hell. In "Vanilla Dunk," future basketball players are given the skills of old-time stars like Michael Jordan and Wilt Chamberlain. And in "Forever, Said the Duck," stored computer personalities scheme to break free of their owners. In these and other stories in this striking collection, Jonathan Lethem, author of The Fortress of Solitude and Motherless Brooklyn, draws the reader ever more deeply into his strange, unforgettable world—a trip from which there may be no easy return.
Release on 2014-05-22 | by Erich Hertz,Jeffrey Roessner
Author: Erich Hertz,Jeffrey Roessner
Pubpsher: Bloomsbury Publishing USA
Category: Literary Criticism
Contemporary popular music provides the soundtrack for a host of recent novels, but little critical attention has been paid to the intersection of these important art forms. Write in Tune addresses this gap by offering the first full-length study of the relationship between recent music and fiction. With essays from an array of international scholars, the collection focuses on how writers weave rock, punk, and jazz into their narratives, both to develop characters and themes and to investigate various fan and celebrity cultures surrounding contemporary music. Write in Tune covers major writers from America and England, including Don DeLillo, Jonathan Franzen, Zadie Smith, and Jim Crace. But it also explores how popular music culture is reflected in postcolonial, Latino, and Australian fiction. Ultimately, the book brings critical awareness to the power of music in shaping contemporary culture, and offers new perspectives on central issues of gender, race, and national identity.
The author of Motherless Brooklyn and The Fortress of Solitude returns with a devilishly entertaining novel about an international backgammon hustler who thinks he's psychic. Too bad about the tumor in his face. Alexander Bruno travels the world playing high stakes backgammon and hunting for amateur “whales” who think they can challenge him. Lately he’s had a run of bad luck, not helped by the blot that has emerged in his field of vision, which forces him to look at the board sideways. As the blot grows larger, his game gets worse, until, at an opulent mansion in Berlin, he passes out in the middle of a match and receives an alarming diagnosis. Out of money and out of friends, he turns to the only person who can help (and the last person he wants to see): a high-rolling former childhood acquaintance who agrees to pay for Bruno’s experimental surgery in Berkeley. But Berkeley is the place where Bruno discovered his psychic gift and where he vowed never to return. There, forced to confront patchouli flashbacks and his uncertain future, he must ask himself: Is he playing the game, or is the game playing him?
A Self-Indulgent, Surly, Ex-Sorority Girl's Guide to Why it Often Sucks in the City, or Who are These Idiots and Why Do They All Live Next Door to Me?
Author: Jen Lancaster
Category: Biography & Autobiography
Jen Lancaster hates to burst your happy little bubble, but life in the big city isn't all it's cracked up to be. Contrary to what you see on TV and in the movies, most urbanites aren't party-hopping in slinky dresses and strappy stilettos. But lucky for us, Lancaster knows how to make the life of the lower crust mercilessly funny and infinitely entertaining. Whether she's reporting rude neighbors to Homeland Security, harboring a crush on her grocery store clerk, or fighting-and losing-the Battle of the Stairmaster- Lancaster explores how silly, strange, and not-so-fabulous real city living can be. And if anyone doesn't like it, they can kiss her big, fat, pink, puffy down parka.
Michael Haneke is one of the most important directors working in Europe today, with films such as Funny Games (1997), Code Unknown (2000), and Hidden (2005) interrogating modern ethical dilemmas with forensic clarity and merciless insight. Haneke's films frequently implicate both the protagonists and the audience in the making of their misfortunes, yet even in the barren nihilism of The Seventh Continent (1989) and Time of the Wolf (2003) a dark strain of optimism emerges, releasing each from its terrible and inescapable guilt. It is this contingent and unlikely possibility that we find in Haneke's cinema: a utopian Europe. This collection celebrates, explicates, and sometimes challenges the worldview of Haneke's films. It examines the director's central themes and preoccupations—bourgeois alienation, modes and critiques of spectatorship, the role of the media—and analyzes otherwise marginalized aspects of his work, such as the function of performance and stardom, early Austrian television productions, the romanticism of The Piano Teacher (2001), and the 2007 shot-for-shot remake of Funny Games.
In a new edition of the first novel by the author of Desperate Characters, first published in 1967, teacher George Mecklin finds his life turned upside down when he becomes involved with tutoring Ernest, a teenage delinquent. Reprint.