South-west Donegal, Ireland, June 1856. From the time that the blight first came on the potatoes in 1845, armed and masked men dubbed Molly Maguires had been raiding the houses of people deemed to be taking advantage of the rural poor. On some occasions, they represented themselves as "Molly's Sons", sent by their mother, to carry outjustice; on others, a man attired as a woman, introducing "herself" as Molly Maguire, demanding redress for wrongs inflicted on her children. The raiders might stipulate the maximum price at which provisions were to be sold, warn against the eviction of tenants, or demand that an evicted family bereinstated to their holding. People who refused to meet their demands were often viciously beaten and, in some instances, killed - offences that the Constabulary classified as "outrages". Catholic clergymen regularly denounced the Mollies and in 1853, the district was proclaimed under the Crime andOutrage (Ireland) Act. Yet the "outrages" continued. Then, in 1856, Patrick McGlynn, a young schoolmaster, suddenly turned informer on the Mollies, precipitating dozens of arrests. Here, a history of McGlynn's informing, backlit by episodes over the previous two decades, sheds light on that wave of outrage, its origins and outcomes, the meaning andthe memory of it. More specifically, it illuminates the end of "outrage" - the shifting objectives of those who engaged in it, and also how, after hunger faded and disease abated, tensions emerged in the Molly Maguires, when one element sought to curtail such activity, while another sought,unsuccessfully, to expand it. And in that contention, when the opportunities of post-Famine society were coming into view, one glimpses the end, or at least an ebbing, of outrage - in the everyday sense of moral indignation - at the fate of the rural poor. But, at heart, The End of Outrage is aboutcontention among neighbours - a family that rose from the ashes of a mode of living, those consumed in the conflagration, and those who lost much but not all. Ultimately, the concern is how the poor themselves came to terms with their loss: how their own outrage at what had been done unto them andtheir forbears lost malignancy, and eventually ended. The author being a native of the small community that is the focus of The End of Outrage makes it an extraordinarily intimate and absorbing history.
Investigative Reporting and Agenda Building in America
Author: David L. Protess
Pubpsher: Guilford Press
Category: Language Arts & Disciplines
This book is the first systematic study of investigative reporting in the post-Watergate era. The authors examine the historical roots, contemporary nature, and societal impact of this controversial form of reporting, which they call "the journalism of outrage." Contrary to the conventional wisdom that depicts muckrakers and policymakers as antagonists, the authors show how investigative journalists often collaborate with public policymakers to set the agenda for reform. Based on a decade-long program of research--highlighted by case studies of the life courses of six media investigations and interviews with a national sample of over 800 investigative journalists--they develop a new theory about the agenda-building role of media in American society.
America's Reaction to the Juvenile Delinquent in the 1950s
Author: James Gilbert
Pubpsher: Oxford University Press
Category: Social Science
The youth culture is on everyone's lips today, as pressures build to ban controversial song lyrics, reintroduce school prayer, and prohibit teenagers' access to contraceptives. It's not the first time Americans have been outraged over the seuction of the innocent.. When James Dean and Marlon Brando donned their motorcycle jackets and adopted alienated poses in Rebel Without a Cause, East of Eden, and The Wild One, in the 1950's, so did countless numbers of American teenagers. Or so it seemed to their parents. American teenagers were looking and acting like juvenile delinquents. By mid-decade, the nation had reached a pitch of near obsession with the harmful effects of film, radio, comic books, and television on American youth. Experts across the land denounced mass culture as depriving young people of their innocence and weakening their parents' hold on them. By the end of the decade, the obsession had ended, although the actual numbers of juvenile delinquents had apparently risen. A Cycle of Outrage explores the 1950's debate over the media and juvenile delinquency among parents, professionals, and the creators of mass culture themselves. In this groundbreaking study, James Gilbert sees the attempt to blame the media as part of a larger reaction of discomfort echoed in recent debates over censorship. The book examines how the central phenomena of the 1950's--the development of youth culture and the rise of a mass media society--became intertwined and confused and argues that young people ceased to be a threat as they were recognized to be a market.
This book is an exploration of the new forms of social movements and protests that are erupting in the world today, from the Arab uprisings to the indignadas movement in Spain, and the Occupy Wall Street movement in the US. While these and similar social movements differ in many important ways, there is one thing they share in common: they are all interwoven inextricably with the creation of autonomous communication networks supported by the Internet and wireless communication. In this timely and important book, Manuel Castells – the leading scholar of our contemporary networked society – examines the social, cultural and political roots of these new social movements, studies their innovative forms of self-organization, assesses the precise role of technology in the dynamics of the movements, suggests the reasons for the support they have found in large segments of society, and probes their capacity to induce political change by influencing people’s minds. Based on original fieldwork by the author and his collaborators as well as secondary sources, this book provides a path-breaking analysis of the new forms of social movements, and offers an analytical template for advancing the debates triggered by them concerning the new forms of social change and political democracy in the global network society.
An Irishman goes in search of a tall tale in the backstreets of Cairo... Fin, an Irish journalist with little more than a rumpled linen suit to his name, wakes at dawn with a fierce hangover and an excruciating bruise on his thigh. As the first prayer call of the day sounds over Cairo, Fin stumbles into an exotic adventure that will take him to the very edge of his courage, his endurance and his sense of self. He seeks a story - a story about treasure - and to find it, he must first find his friend Farouk, the mercurial teller of tales, who alone knows what Fin needs to hear. Fuelled by whisky and a thousand glasses of tea Fin pursues his quest under the shadow of the Great Pyramid, through crowded kebab shops and into the great emptiness of the desert itself.
Release on 2015-06-09 | by Mary Katharine Ham,Guy Benson
How the Left's Outrage Industry Shuts Down Debate, Manipulates Voters, and Makes America Less Free (and Fun)
Author: Mary Katharine Ham,Guy Benson
Pubpsher: Crown Forum
Category: Political Science
They want to shut you up. But don’t let this be the End of Discussion. In this fresh and provocative new book, Mary Katharine Ham and Guy Benson, dynamic Fox News and Townhall Media duo, expose how the Left exploits fake outrage to silence their political opponents—in public, on social media, at work, and even in their own homes. You’ve felt it and “End of Discussion” can help you fight it. The political correctness born on college campuses has mutated into a new hypersensitivity. It’s weaponized in Washington, D.C. by a network of well-trained operatives, media, and politicians, and proliferated throughout the country. The new Puritans of the Left are quick to ban comedians and commencement speakers alike for the sin of disagreeing with them. They demand “safe spaces” while making dissent increasingly dangerous for Americans. Ham and Benson demonstrate just how dangerous the outrage industry—a coalition of mostly liberal blowhards and busybodies—is to America. The media frenzy they create is designed to disqualify opposing viewpoints on everything from health care to education by labeling them racist, sexist, and evil. They punish speech that makes them uncomfortable, demanding boycotts, censures, and people’s jobs. They seek to win political and cultural debates by preventing them from happening. And if you think this behavior is relegated to political fights or politicians, think again. The same activists are ready to foment outrage over your association with the “wrong” fried chicken joints, Internet browsers, breast cancer charities, pasta, children’s toys, Halloween costumes, TV shows, schools, and even comedians’ jokes. With Ham and Benson’s help, readers can cut through the noise and find their voices again, fighting back against the rampant self-censorship and hair-trigger apologies that always make things worse, not better. With fresh reporting and insightful, occasionally tongue-in-cheek analysis, End of Discussion is a timely handbook for anyone who wants to make sure debate doesn’t meet an ugly death.
Release on 2013-03-21 | by Radha Jagannathan,Michael J. Camasso
A New Perspective on Child Protective Services Reform
Author: Radha Jagannathan,Michael J. Camasso
Pubpsher: Oxford University Press
Category: Social Science
Professionals in the Child Welfare System will find this book to be a radically different explanation on protecting children from harm. Child maltreatment remains front and center in the collective consciousness of communities around the United States, this book is a depiction of current events of social outrage.
How Free-Market Capitalism Learned to Control Dissent
Author: Alasdair Roberts
Pubpsher: Cornell University Press
Category: Political Science
The United States has just gone through the worst economic crisis in a generation. Why was there not more protest, as there was in other countries? During the United States’ last great era of free-market policies, before World War II, economic crises were always accompanied by unrest. “The history of capitalism,” the economist Joseph Schumpeter warned in 1942, “is studded with violent bursts and catastrophes.” In The End of Protest, Alasdair Roberts explains how, in the modern age, governments learned to unleash market forces while also avoiding protest about the market’s failures. Roberts argues that in the last three decades, the two countries that led the free-market revolution—the United States and Britain—have invented new strategies for dealing with unrest over free market policies. The organizing capacity of unions has been undermined so that it is harder to mobilize discontent. The mobilizing potential of new information technologies has also been checked. Police forces are bigger and better equipped than ever before. And technocrats in central banks have been given unprecedented power to avoid full-scale economic calamities. Tracing the histories of economic unrest in the United States and Great Britain from the nineteenth century to the present, The End of Protest shows that governments have always been preoccupied with the task of controlling dissent over free market policies. But today’s methods pose a new threat to democratic values. For the moment, advocates of free-market capitalism have found ways of controlling discontent, but the continued effectiveness of these strategies is by no means certain.
The Cinema of Takeshi Kitano: Flowering Blood is a detailed aesthetic, Deleuzian, and phenomenological exploration of Japan's finest currently-working film director, performer, and celebrity. The volume uniquely explores Kitano's oeuvre through the tropes of stillness and movement, becoming animal, melancholy and loss, intensity, schizophrenia, and radical alterity; and through the aesthetic temperatures of color, light, camera movement, performance and urban and oceanic space. In this highly original monograph, all of Kitano's films are given due consideration, including A Scene at the Sea (1991), Sonatine (1993), Dolls (2002), and Outrage (2010).
Understanding the rise of state capitalism and its threat to global free markets The End of the Free Market details the growing phenomenon of state capitalism, a system in which governments drive local economies through ownership of market-dominant companies and large pools of excess capital, using them for political gain. This trend threatens America's competitive edge and the conduct of free markets everywhere. An expert on the intersection of economics and politics, Ian Bremmer has followed the rise of state-owned firms in China, Russia, the Arab states of the Persian Gulf, Iran, Venezuela, and elsewhere. He demonstrates the growing challenge that state capitalism will pose for the entire global economy. Among the questions addressed: Are we on the brink of a new kind of Cold War, one that pits competing economic systems in a battle for dominance? Can free market countries compete with state capitalist powerhouses over relations with countries that have elements of both systems-like India, Brazil, and Mexico? Does state capitalism have staying power? This guide to the next big global economic trend includes useful insights for investors, business leaders, policymakers, and anyone who wants to understand important emerging changes in international politics and the global economy.