The Blood of an Englishman continues the tradition in M. C. Beaton's beloved Agatha Raisin mystery series—now a hit show on Acorn TV and public television. "Fee, fie, fo, fum. I smell the blood of an Englishman..." Even though Agatha Raisin loathes amateur dramatics, her friend Mrs. Bloxby, the vicar's wife, has persuaded her to support the local pantomime. Stifling a yawn at the production of "Babes in the Woods," Agatha watches the baker playing an ogre strut and threaten on the stage, until a trapdoor opens and the Ogre disappears in an impressive puff of smoke. Only he doesn't re-appear at final curtain. Surely this isn't the way the scene was rehearsed? When it turns out the popular baker has been murdered, Agatha puts her team of private detectives on the case. They soon discover more feuds and temperamental behavior in amateur theatrics than in a professional stage show—and face more and more danger as the team gets too close to the killer. The Blood of an Englishman is Agatha's 25th adventure, and you'd think she would have learned by now not to keep making the same mistakes. Alas, no—yet Agatha's flaws only make her more endearing. In this sparkling new entry in M. C. Beaton's New York Times bestselling series of modern cozies, Agatha Raisin once again "manages to infuriate, amuse, and solicit our deepest sympathies as we watch her blunder her way boldly through another murder mystery" (Bookreporter.com).
Even though Agatha Raisin loathes Christmas panto, her friend Mrs Bloxby, the vicar's wife, has persuaded her to support the local am dram society in their festive offering. Stifling a yawn at the production of Babes in the Wood, Agatha watches the baker playing an ogre strut and threaten on stage until a trapdoor opens... followed by a scream and silence! Surely this wasn't the way the scene was rehearsed? When it turns out the local baker had been murdered most horribly, Agatha puts her team of detectives on the case. And they soon discover more feuds and temperamental behaviour in amateur dramatics than in a professional stage show - and face more and more danger as Agatha and her team get too close to the killer...
The tensions between South Africa's white population and the local British are dramatically increased with the discovery of two murders: the brutal killing of a Black and the mysterious slaying of Edward Hookman, an ex-RAF hero
In Utah the Loner finds religion—behind the barrel of a gun. . . SHOWER THE BRIDE WITH LEAD. . . The damsel is in distress, or so it seems to Conrad Browning. On his way across the wide, tall Utah territory to California, the Loner meets a beautiful Mormon girl on the run from a forced wedding—and the gun-toting faithful trying to hunt her down. But there are two sides to every story—and the ones you don't hear are the ones that can get you killed. The runaway bride has a little history of her own. Soon, the Loner touches off a storm of unholy gunfire, drawing blood from an outlaw and a death sentence from a patriarch. Among murderers and Mormons, Bibles and bullets, the Loner finds himself riding to a wedding—a ceremony he intends to crash with a vengeance. . .
A chance meeting has New Zealand writer Laszlo Winter thinking back to his time in London in the late 1950s. The Empire might be in a state of collapse, but for young 'colonials', England remains a mythical place that draws them from the farthest corners of the globe. There was Australian Samantha Conlan, clever, desirable, hopelessly in love with married Jewish New Zealander Freddy Goldstein, who carried with him a dark history. Rajiv, an earnest young Indian at work on a study of Yeats and the Indian mind. The enigmatic Margot, whose bond with her athletic brother Mark troubled Laszlo in ways he didn't quite understand. Heather, the call girl with whom Laszlo exchanged lessons on Shakespeare for lessons in love. The great writers of the time, and the details of their lives are recorded by Samantha in her idiosyncratic research project that she named her Secret History of Modernism. There was all of that and more, and then there was Laszlo, knocking blindly about among them, despairing at his academic prospects, and gradually realising that he was, would only ever be, a storyteller. Now, years later, from the other side of the world, the people seem to spring to life again, in this beguiling work by one of New Zealand's foremost writers.
A modern Indiana Jones steals a relic of Alexander the Great in Blood of Alexander, the thrilling debut from Tom Wilde. Jonathan Blake makes a living stealing antiquities—stealing them back, that is. A field agent for the Argo Foundation, a company that makes it their business to preserve humanity's history by liberating stolen artifacts from thieves and looters, Blake is used to dangerous assignments. But when he is forced by the US government into a deadly mission involving a missing Napoleonic standard, he finds himself in over his head. Blake is pitted against Vanya, the head of a fanatical cult, who seeks a gilded bronze eagle that holds a vital clue to the lost tomb of Alexander the Great. From ancient ruins in Afghanistan to the catacombs of Paris to a chateau high in the French Alps, Blake must unravel the secret truth of the final fate of Napoleon Bonaparte, the murder of Percy Bysshe Shelly, and the hidden remains of Alexander. And he must do it before Vanya's apocalyptic plans for humanity come to their deadly fruition. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Children and Teenagers in English Language Education
Author: Janice Bland
Pubpsher: A&C Black
Children's literature can be a powerful way to encourage and empower EFL students but is less commonly used in the classroom than adult literature. This text provides a comprehensive introduction to children's and young adult literature in EFL teaching. It demonstrates the complexity of children's literature and how it can encourage an active community of second language readers: with multilayered picturebooks, fairy tales, graphic novels and radical young adult fiction. It examines the opportunities of children's literature in EFL teacher education, including: the intertexuality of children's literature as a gate-opener for canonised adult literature; the rich patterning of children's literature supporting Creative Writing; the potential of interactive drama projects. Close readings of texts at the centre of contemporary literary scholarship, yet largely unknown in the EFL world, provide an invaluable guide for teacher educators and student teachers, including works by David Almond, Anthony Browne, Philip Pullman and J.K.Rowling. Introducing a range of genres and their significance for EFL teaching, this study makes an important new approach accessible for EFL teachers, student teachers and teacher educators.