Notebook for Anna Magdalena Bach

Notebook for Anna Magdalena Bach

Here's a newly engraved edition of this famous book used by teachers and students for centuries. Includes Arias, Chorales, Marches, Menuets, Partitas, Polonaises, Suites, a Rondeau, Musette, Sarabande, Prelude, and several pieces for voice. This edition, which follows the Callwey edition of 1935, contains the music J. S. Bach presented to his wife, Anna Magdalena, in an ornate book in 1725 as a birthday present.. Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.

Sex, Death, and Minuets

Anna Magdalena Bach and Her Musical Notebooks

Sex, Death, and Minuets

At one time a star in her own right as a singer, Anna Magdalena (1701-60) would go on to become, through her marriage to the older Johann Sebastian Bach, history's most famous musical wife and mother. The two musical notebooks belonging to her continue to live on, beloved by millions of pianists young and old. Yet the pedagogical utility of this music--long associated with the sound of children practicing and mothers listening--has encouraged a rosy and one-sided view of Anna Magdalena as a model of German feminine domesticity. Sex, Death, and Minuets offers the first in-depth study of these notebooks and their owner, reanimating Anna Magdalena as a multifaceted historical subject--at once pious and bawdy, spirited and tragic. In these pages, we follow Magdalena from young and flamboyant performer to bereft and impoverished widow--and visit along the way the coffee house, the raucous wedding feast, and the family home. David Yearsley explores the notebooks' more idiosyncratic entries--like its charming ditties on illicit love and searching ruminations on mortality--against the backdrop of the social practices and concerns that women shared in eighteenth-century Lutheran Germany, from status in marriage and widowhood, to fulfilling professional and domestic roles, money, fashion, intimacy and sex, and the ever-present sickness and death of children and spouses. What emerges is a humane portrait of a musician who embraced the sensuality of song and the uplift of the keyboard, a sometimes ribald wife and oft-bereaved mother who used her cherished musical notebooks for piety and play, humor and devotion--for living and for dying.

Anna Magdalena Bach Notebook: Urtext with Fingerings

Anna Magdalena Bach Notebook: Urtext with Fingerings

This urtext edition of Anna Magdalena Bach Notebook is based on the original manuscript of 1725 Notebook, which was J. S. Bach personal gift to his second wife and contains 20 selections that are considered most suitable and important for education of a young pianist.

The Anna Magdalena Notebook for Classic Guitar

The Anna Magdalena Notebook for Classic Guitar

J.S. Bach's 20 short keyboard teaching pieces have been required standard piano literature for centuries. Now these wonderful pieces are scored for classic guitar solo. All selections are presented in notation and tablature.

Guide to the Pianist's Repertoire, third edition

Guide to the Pianist's Repertoire, third edition

"The Hinson" has been indispensable for performers, teachers, and students. Now updated and expanded, it's better than ever, with 120 more composers, expertly guiding pianists to solo literature and answering the vital questions: What's available? How difficult is it? What are its special features? How does one reach the publisher? The "new Hinson" includes solo compositions of nearly 2,000 composers, with biographical sketches of major composers. Every entry offers description, publisher, number of pages, performance time, style and characteristics, and level of difficulty. Extensively revised, this new edition is destined to become a trusted guide for years to come.

Sovereign Feminine

Music and Gender in Eighteenth-century Germany

Sovereign Feminine

In the German states in the late eighteenth century, women flourished as musical performers and composers, their achievements celebrated as measuring the progress of culture and society from barbarism to civilisation. In this book, Mathew Head restores his earlier musical history and explores the role that women played in the development of classical music.