When Latverian Prime Minister Lucia Von Bardas funds a group of supervillans as a means of wreaking terror on American soil. and the U.S. government refuses to overthrow the Latverian government, S.H.I.E.L.D's Nick Furry is forced to call upon Spider-Man, Captain America, Daredevil, Black Widow, Luke Cage, Wolverine and Daisy Johnson to help.
Release on 2018-02-22 | by Veronika Fikfak,Hayley Hooper
Author: Veronika Fikfak,Hayley Hooper
Pubpsher: Bloomsbury Publishing
The invasion of Iraq in 2003, and the Coalition Government's failure to win parliamentary approval for armed intervention in Syria in 2013, mark a period of increased scrutiny of the process by which the UK engages in armed conflict. For much of the media and civil society there now exists a constitutional convention which mandates that the Government consults Parliament before commencing hostilities. This is celebrated as representing a redistribution of power from the executive towards a more legitimate, democratic institution. This book offers a critical inquiry into Parliament's role in the war prerogative since the beginning of the twentieth century, evaluating whether the UK's decisions to engage in conflict meet the recognised standards of good governance: accountability, transparency and participation. The analysis reveals a number of persistent problems in the decision-making process, including Parliament's lack of access to relevant information, government 'legalisation' of parliamentary debates which frustrates broader discussions of political legitimacy, and the skewing of debates via the partial public disclosure of information based upon secret intelligence. The book offers solutions to these problems to reinvigorate parliamentary discourse and to address government withholding of classified information. It is essential reading for anyone interested in war powers, the relationship between international law and domestic politics, and the role of the Westminster Parliament in questions of national security.
How and why the United Kingdom sponsors conflict around the world
Author: T. J. Coles
Pubpsher: CLAIRVIEW BOOKS
Category: Political Science
In a devastating analysis, T. J. Coles reveals the true extent of Britain’s covert foreign policy that supports war, conflict and oppression around the world. Unbeknownst to the broad population, the Shadow State sponsors a ‘new world order’ that allies Britain with America’s quest for global power – what the Pentagon calls ‘Full Spectrum Dominance’. Coles documents how British operatives have interfered in Syria, Libya, Iraq, Iran and Yemen with the aim of deposing unwanted regimes. In doing so, they have helped create extensive terrorist networks across the Middle East, reviving previously-failing Jihadist groups such as ISIL, which has now transformed into an international terror franchise. In addition to waging clandestine wars in the Middle East, the secret services have used the military to run drugs by proxy in Colombia, train death squads in Bangladesh and support instability in Ukraine, where NATO’s strategic encroachment on Russia is drawing the world closer to terminal nuclear confrontation. Coles unearths Britain’s involvement in the recent ethnic cleansing of Tamil civilians by the Sri Lankan government, the invasion of Somalia by Somali and Ethiopian warlords, and Indonesia’s atrocities in Papua. He also exposes the extensive use of drones for murder and intimidation across the Middle East and elsewhere. Britain’s Secret Wars is essential reading for anyone who wants to dig beneath the surface of current events. This expanded edition features a new Preface.
Communication Research & Psychological Warfare, 1945–1960
Author: Christopher Simpson
Pubpsher: Open Road Media
Category: Political Science
A provocative and eye-opening study of the essential role the US military and the Central Intelligence Agency played in the advancement of communication studies during the Cold War era, now with a new introduction by Robert W. McChesney and a new preface by the author Since the mid-twentieth century, the great advances in our knowledge about the most effective methods of mass communication and persuasion have been visible in a wide range of professional fields, including journalism, marketing, public relations, interrogation, and public opinion studies. However, the birth of the modern science of mass communication had surprising and somewhat troubling midwives: the military and covert intelligence arms of the US government. In this fascinating study, author Christopher Simpson uses long-classified documents from the Pentagon, the CIA, and other national security agencies to demonstrate how this seemingly benign social science grew directly out of secret government-funded research into psychological warfare. It reveals that many of the most respected pioneers in the field of communication science were knowingly complicit in America’s Cold War efforts, regardless of their personal politics or individual moralities, and that their findings on mass communication were eventually employed for the purposes of propaganda, subversion, intimidation, and counterinsurgency. An important, thought-provoking work, Science of Coercion shines a blazing light into a hitherto remote and shadowy corner of Cold War history.
While masculinity has been an increasingly visible field of study within several disciplines (sociology, literary studies, cultural studies, film and tv) over the last two decades, it is surprising that analysis of contemporary representations of the first part of the century has yet to emerge. Professor Brian Baker, evolving from his previous work Masculinities in Fiction and Film: Representing Men in Popular Genres 1945-2000, intervenes to rectify the scholarship in the field to produce a wide-ranging, readable text that deals with films and other texts produced since the year 2000. Focusing on representations of masculinity in cinema, popular fiction and television from the period 2000-2010, he argues that dominant forms of masculinity in Britain and the United States have become increasingly informed by anxiety, trauma and loss, and this has resulted in both narratives that reflect that trauma and others which attempt to return to a more complete and heroic form of masculinity. While focusing on a range of popular genres, such as Bond films, war movies, science fiction and the Gothic, the work places close analyses of individual films and texts in their cultural and historical contexts, arguing for the importance of these popular fictions in diagnosing how contemporary Britain and the United States understand themselves and their changing role in the world through the representation of men, fully recognising the issues of race/ethnicity, class, sexuality, and age. Baker draws upon current work in mobility studies and in the study of masculinities to produce the first book-length comparative study of masculinity in popular culture of the first decade of the twenty-first century.
The civil rights movement, protests against the Vietnam War, Watergate -- rumors and revelations stemming from these and other events provoked in the 1970s a rising clamor against the scope and conduct of American intelligence operations. Finally, in 1975, Congress launched investigations of the Central Intelligence Agency, the Federal Bureau of Investigation, and other federal agencies in the intelligence community. This is the story of one of those investigations -- that by the Senate committee chaired by Frank Church of Idaho. The hearings of the Church committee, together with investigations by the House of Representatives and a presidential commission, rocked the intelligence bureaucracy like nothing before; even the CIA's involvement in Kennedy's Bay of Pigs debacle paled in comparison. A deep schism developed within the Senate committee, and the House of Representatives was torn by acrimony and recrimination. From his special vantage point as an investigator and aide to Senator Church, Loch Johnson incisively portrays the human element -- jealousy, friendship, pique, ambition, fatigue -- in these deliberations and traces the tangled lines of conflict and cooperation that stretch between Congress and the White House. Season of Inquiry affords a unique look at the workings of the United States Senate, not in its ordinary day-to-day business but in the heat and glare of publicity during the conduct of a major inquiry.
Release on 2019-05-30 | by Dan Slott,Christos Gage
Worldwide Vol. 1
Author: Dan Slott,Christos Gage
Pubpsher: Marvel Entertainment
Category: Comics & Graphic Novels
Collects Amazing Spider-Man (2015) #12-19 and material from Free Comic Book Day 2016 (Captain America) #1 and Amazing Spider-Man (2015) #1. Going global means a whole world of problems for the wall-crawler! Regent, one of the most dangerous threats from SECRET WARS' Battleworld, makes his power play in the Marvel Universe! And it'll take Spider-Man, Iron Man, Miles Morales and the rest of the Avengers to have any hope of stopping him! But could it be that the key to foiling Regent's plans is a certain redheaded mutual acquaintance of Peter Parker and Tony Stark? Then, after an accident at Parker Industries, how far will Peter go to save his employees - both as CEO and as Spidey? And as a conspiracy begins to unfold, which classic characters will find themselves Dead No More?
The Relentless Rise of Presidential Authority and Secrecy
Author: Charlie Savage
Pubpsher: Hachette UK
Category: Political Science
Pulitzer Prize-winning journalist Charlie Savage's penetrating investigation of the Obama presidency and the national security state. Barack Obama campaigned on changing George W. Bush's "global war on terror" but ended up entrenching extraordinary executive powers, from warrantless surveillance and indefinite detention to military commissions and targeted killings. Then Obama found himself bequeathing those authorities to Donald Trump. How did the United States get here? In Power Wars, Charlie Savage reveals high-level national security legal and policy deliberations in a way no one has done before. He tells inside stories of how Obama came to order the drone killing of an American citizen, preside over an unprecendented crackdown on leaks, and keep a then-secret program that logged every American's phone calls. Encompassing the first comprehensive history of NSA surveillance over the past forty years as well as new information about the Osama bin Laden raid, Power Wars equips readers to understand the legacy of Bush's and Obama's post-9/11 presidencies in the Trump era.
Release on 2014-10-17 | by Editors of Chase's Calendar of Events
Author: Editors of Chase's Calendar of Events
Pubpsher: McGraw Hill Professional
12,500 entries. 196 countries. 365 days. Find out what's going on any day of the year, anywhere across the globe! If you're looking to tie a promotional event to a special month, travel to a music festival halfway around the world, blog about a historical milestone or do a celebrity birthday round-up on your radio show or Twitterfeed, Chase's Calendar of Events is the one resource that has it all. For broadcasters, journalists, event planners, public relations professionals, librarians, editors, writers or simply the curious, this is one reference you can't do without! Chase's Calendar of Events 2015 brings you: Major sporting events such as the FIFA Women's World Cup (June 6), the Pan American Games (July 10) and the 48th Transpacific Yacht Race (July 13). Milestones such as the 800th anniversary of the Magna Carta, 200th anniversary of Waterloo, 150th anniversary of Lincoln's assassination, 75th anniversary of Dunkirk and the Battle of Britain, 150th birth anniversary of poet W.B. Yeats and much more. New birthday entries for newsmakers like the new king of Spain, Felipe VI of Bourbon and Greece (Jan 30), or political activist Nadezhda Tolokonnikova (Nov 7); sports stars such as Meryl Davis (Jan 1) and Johnny Manziel (Dec 6); and entertainers Lupita Nyong'o (Mar 1), Chiwetel Ejiofor (July 10), Jamie Dornan (May 1), Dakota Johnson (Oct 4), Lorde (Nov 7) and Macklemore (June 19). New special days such as Take Your Poet to Work Day (July 15), National Black Women in Jazz and the Arts Day (Mar 1), National Biscotti Day (Sept 29), Runner's Selfie Day (June 23), No Selfies Day (Mar 16) and many more. New! Get exclusive access to the Chase's Calendar of Events companion website with: What's on Today? All the holidays, events, anniversaries, celebrity birthdays, and so on for the current day Advanced Search: customize your search--date ranges, location, key word, category, attendance--however you want! Unique Festivals of the World: a new, interactive map of the world--click on a country and discover its major festivals Tabbed pages for Major Awards, About the Holidays, Spotlight for 2015, Glossary of Calendar Terms and Special Months For information on the url and password of the companion website, please see details inside the book.
The Pleasures of Structure starts from the premise that the ability to develop a well understood and articulated story structure is the most important skill a screenwriter can develop. For example, good structure requires a great premise and rigorous character development. Without clear character motivations and goals--which are themselves indicative of key structural beats--your story is going exactly nowhere. Using the simple and flexible 'W' model of screenplay structure developed in the prequel Write What You Don't Know, Hoxter sets this out as its starting point. This model is tested against a range of examples which are chosen to explore the flexibility not only of that model but of movie storytelling more generally. Writers and students often worry that they are asked to work 'to formula'. This book will test that formula to breaking point. For example, the first case study will offer the example of a well written, professional, mainstream movie against which our later and more adventurous examples can be compared. So the lessons we learn examining the animated family adventure movie How To Train Your Dragon lead us directly to ask questions of our second case study, the acclaimed Swedish vampire movie Låt den Rätte Komma In (Let The Right One In). Both movies have protagonists with the same basic problem, the same goal, and they use the same basic structure to tell their stories. Of course they are very different films and they work on their audiences in very different ways. Our linked case studies will expose how simple choices, like reversing the order of elements of the protagonist's transformational arc and shifting ownership of key story beats, has an enormous impact on how we respond to a structural model that is otherwise functionally identical.