Release on 2000 | by James Hillman,Wilhelm Heinrich Roscher
Author: James Hillman,Wilhelm Heinrich Roscher
Pubpsher: Spring Publications
This brilliant book brings Pan back to life by following C. G. Jung's famous saying: "The Gods have become our diseases." Chapters on nightmare panic, on masturbation, rape and nympholepsy, on instinct and synchronicity, and on Pan's female loves-echo, Syrinx, Selene, and the Muses-show the goat-God at work and play in the dark drives and creative passions of our lives. Hillman's insights present the archetypal figure in the depths of nature and archetypal psychology as a method of revelation.Pan and the Nightmare (which includes a full translation of Wilhelm Roscher's masterful 19th-century mythological-pathological treatise on Pan and the demons of the night) is the most radical study of this God ever undertaken.
Synchronicity and Jung's Critique of Modern Western Culture
Author: Roderick Main
Why was the idea of synchronicity so important to Jung? Jung's theory of synchronicity radically challenges the entrenched assumptions of mainstream modern culture in the West. It is one of the most fascinating yet difficult and discomfiting of Jung's psychological theories. The Rupture of Time aims to clarify what Jung really meant by synchronicity, why the idea was so important to him and how it informed his thinking about modern western culture. Areas examined include: * how the theory fits into Jung's overall psychological model and the significance of its apparent inconsistencies * the wide range of personal, intellectual and social contexts of Jung's thinking on the topic * how Jung himself applied the theory of synchronicity within his critique of science, religion, and society * the continuing relevance of the theory for understanding issues in contemporary detraditionalised religion. Focusing closely on Jung's own writings and statements, this book discloses that the theory of synchronicity is not an inconsequential addendum to analytical psychology but is central to the psychological project that occupied Jung throughout his professional life. This much-needed clarification of one of Jung's central tenets will be of great interest to all analytical psychologists and scholars engaged with Jungian thought.
Release on 2014-02-04 | by Donald Lathrop,E Mark Stern,Karen Gibson
Author: Donald Lathrop,E Mark Stern,Karen Gibson
Psychotherapy is profoundly indebted to Carl Jung, who among others, discovered the mappings of soul psychology. Carl Jung and Soul Psychology is a fascinating exploration of the identity and unifying work of soul psychology. The editors have met a monumental challenge in enlisting the scope of wisdom represented in this unique book.
Seeing the Light: Exploring Ethics Through Movies is an engaging and innovative approach to the study of philosophy and the development of moral reasoning skills. Features broad coverage of topics in ethics and moral reasoning Offers an innovative and imaginative approach to showing relevance of movies for ethical reflection Draws on a diverse selection of popular movies, foreign films, and documentaries to illustrate ethical dilemmas and character development on the big screen that has application to our lives Presents coverage of major ethical theories ranging from Ethical Egoism and Cultural Relativism to Utilitarianism, Kantian Ethics, Rawls' Justice Theory, Aristotle's Virtue Ethics, and Feminist Ethics Demonstrates how film is a powerful vehicle for sharpening skills in analysis and moral reasoning Includes accompanying website
Alan Wykes – Nightmare Nightmares have a way of returning – of seeping through the consciousness. And when they vanish for a while, sometimes we can even grow to miss them . . . Pan Macmillan are proud to present a brand new reissue of the first ever edition of The Pan Book of Horror Stories. Fiendish, fantastic and downright chilling, these tales were originally selected for Pan by legendary horror anthologist Herbert van Thal. Fifty years on, they are as compelling, evocative and macabre as ever. Highlighted by a new introduction from Johnny Mains, ‘A Brief History of the Horrors’, the legacy of this astonishing collection – that became a defining influence on the genre – is self-evident. We have made an exclusive few available digitally, so choose your next nightmare here . . .
Armed with an eighth-grade education, an inexhaustible imagination, and an innate talent for dancing, Hermes Pan (1909-1990) was a boy from Tennessee who became the most prolific, popular, and memorable choreographer of the glory days of the Hollywood musical. While he may be most well-known for the Fred Astaire-Ginger Rogers musicals which he choreographed at RKO film studios, he also created dances at Twentieth Century-Fox, M-G-M, Paramount, and later for television, winning both the Oscar and the Emmy for best choreography. In Hermes Pan: The Man Who Danced with Fred Astaire, Pan emerges as a man in full, an artist inseparable from his works. He was a choreographer deeply interested in his dancers' personalities, and his dances became his way of embracing and understanding the outside world. Though his time in a Trappist monastery proved to him that he was more suited to choreography than to life as a monk, Pan remained a deeply devout Roman Catholic throughout his creative life, a person firmly convinced of the powers of prayer. While he was rarely to be seen without several beautiful women at his side, it was no secret that Pan was homosexual and even had a life partner. As Pan worked at the nexus of the cinema industry's creative circles during the golden age of the film musical, this book traces not only Pan's personal life but also the history of the Hollywood musical itself. It is a study of Pan, who emerges here as a benevolent perfectionist, and equally of the stars, composers, and directors with whom he worked, from Astaire and Rogers to Betty Grable, Rita Hayworth, Elizabeth Taylor, Sammy Davis Jr., Frank Sinatra, Bob Fosse, George Gershwin, Samuel Goldwyn, and countless other luminaries of American popular entertainment. Author John Franceschina bases his telling of Pan's life on extensive first-hand research into Pan's unpublished correspondence and his own interviews. Pan enjoyed one of the most illustrious careers of any Hollywood dance director, and because his work also spanned across Broadway and television, this book will appeal to readers interested in musical theater history, dance history, and film.
The Nightmare War is a work of speculative fiction that plays with the notion of closed loops of time. Each of the fourteen chapters contains a complete narrative incident with a beginning, a middle, and an end. Each narrative incident is followed by an appended commentary (or two) spoken from outside the loop. The fourteen chapters of The Nightmare War collectively tell a story with a beginning, a middle, and an end. That story, however, begins on page 1 somewhere near the ending and ends on page 75 somewhere near the beginning. Careful readers may note that the story ends, chronologically, on page 15 with the phrase, Not another word! But that is not the last word.