'Happy birthday, spawn. Welcome to the wrong side of twenty-five. The expiration date on your eggs is officially in sight. Tick tock. Love, Mom' This was the text message Kate Friedman woke up to on the morning of her twenty-sixth birthday, but her mother's maternal adoration and helicopter parenting began while Kate was still in utero. Never shy about pushing her only daughter to study harder, to dump her loser boyfriends, to move to 'less rapey' neighbourhoods, Kate's mum has given some truly hilarious but often sage advice over the years. It wasn't until Kate began sharing her mother's messages online that she realized quite how many people would find her mother as hysterical as she does. Over, 700,000 people follow @CrazyJewishMom on Instagram, and this side-splittingly funny mother-daughter duo has been featured in media around the world. From taking Kate to buy her first bra at a speciality drag-queen shop, to stalking a Princeton admissions officer across state lines, to posing as her daughter on multiple dating sites, Mother, Can You Not? is Kate's brilliantly funny and affectionate story of life with her fabulous, eccentric mother.
Based on the wildly popular Instagram account @CrazyJewishMom, Kate Siegel's essay collection about life with the woman who redefined the term "helicopter mom" There is nothing more wonderful than a mother’s love. There is also nothing more annoying. Who else can proudly insist that you’re perfect while simultaneously making you question every career, fashion, and relationship decision you have ever made? No one understands the delicate mother-daughter dynamic better than Kate Siegel—her own mother drove her so crazy that she decided to broadcast their hilarious conversations on Instagram. Soon, hundreds of thousands of people were following their daily text exchanges, eager to see what outrageous thing Kate’s mom would do next. Now, in Mother, Can You NOT?, Kate pays tribute to the woman who invented the concept of drone parenting. From embarrassing moments (like crashing Kate's gynecological exams) to outrageous stories (like the time she made Kate steal a cat from the pound) to hilarious celebrations (including but not limited to parties for Kate's menstrual cycles), Mother, Can you NOT? lovingly lampoons the lengths to which our mothers will go to better our lives (even if it feels like they’re ruining them in the process).
Angela Bradbury's 'Poor Mother' : delicate, humble, permanently disappointed, has made endless sacrifices for her family, for which they can never quite be grateful enough. 'You can't please your mother', as her father says. Even now, just one phone call from Mother can send Angela spiralling into guilt, self-recrimination and doubts over her own abilities as a mother. Worryingly, Angela's relationship with her own daughter Sadie seems to be going the same way, as Sadie develops into a sullen, unresponsive adolescent. It seems that motherhood is a heritage of disappointments and broken promises. But Angela is determined that, somehow, her relationship with Sadie will be different.
In this groundbreaking novel, award-winning author Sandra Worth vibrantly brings to life the people?s Queen, ?Elizabeth the Good.? Seventeen-year-old Elizabeth of York trusts that her beloved father?s dying wish has left England in the hands of a just and deserving ruler. But upon the rise of Richard of Gloucester, Elizabeth?s family experiences one devastation after another: her late father is exposed as a bigamist, she and her siblings are branded bastards, and her brothers are taken into the new king?s custody, then reportedly killed. But one fateful night leads Elizabeth to question her prejudices. Through the eyes of Richard?s ailing queen she sees a man worthy of respect and undying adoration. His dedication to his people inspires a forbidden love and ultimately gives her the courage to accept her destiny, marry Henry Tudor, and become Queen. While her soul may secretly belong to another, her heart belongs to England?
Volume Two covers the early years of his editorship of The Criterion (the periodical that Eliot launched with Lady Rothermere's backing in 1922), publication of The Hollow Men and the course of Eliot's thinking about poetry and poetics after The Waste Land. The correspondence charts Eliot's intellectual journey towards conversion to the Anglican faith in 1927, as well as his transformation from banker to publisher, ending with his appointment as a director of the new publishing house of Faber & Gwyer, in late 1925, and the appearance of Poems 1909-1925, Eliot's first publication with the house with which he would be associated for the rest of his life. It was partly because of Eliot's profoundly influential work as cultural commentator and editor that the correspondence is so prolific and so various, and Volume Two of the Letters fully demonstrates the emerging continuities between poet, essayist, editor and letter-writer.