The title play, which had its American premiere at La MaMa in 2012, rivetingly explores the relationship between a nervous older man and a glib young prostitute, as their evening together drives toward a startling conclusion. Also included is the one-act play The Great War, which looks at a divorcing couple and the ground they need to cross to reach their own end of hostilities; In the Beginning, which was written as a response to the Occupy movement and produced around the world in 2012-13 as part of Theatre Uncut; The Wager, the stage version of the film Double or Nothing starring Adam Brody; the two-handers A Guy Walks Into a Bar, Over the River and Through the Woods, and Strange Fruit; and two powerful new monologues, Bad Girl and The Pony of Love.
The Director as Collaborator teaches essential directing skills while emphasizing how directors and theater productions benefit from collaboration. Good collaboration occurs when the director shares responsibility for the artistic creation with the entire production team, including actors, designers, stage managers, and technical staff. Leadership does not preclude collaboration; in theater, these concepts can and should be complementary. Students will develop their abilities by directing short scenes and plays and by participating in group exercises. New to the second edition: updated interviews, exercises, forms, and appendices new chapter on technology including digital research, previsualization and drafting programs, and web-sharing sites new chapter on devised and ensemble-based works new chapter on immersive theater, including material and exercises on environmental staging and audience–performer interaction
Two Plays and One Short Story: Off-Broadway Edition
Author: Neil LaBute
In All The Ways To Say I Love You, Neil LaBute’s “haunting, heartrending†? (AP) new play, Mrs. Johnson is a high school English teacher in a loving marriage. As she recounts her experiences with a favored student from her past, Mrs. Johnson slowly reveals the truth that is hidden just beneath the surface details of her life, in this riveting solo play about love, hard choices, and the cost of fulfilling an all-consuming desire. Two-time Tony winner Judith Light originated the role of Mrs. Johnson in a “full-throttle performance†? (Time Out NY) for the twice-extended Off Broadway premiere, at MCC in fall 2016.Also included is All My White Sins Forgiven, the evocative one-act companion play that gives depth and context to All The Ways To Say I Love You. In this engrossing two-hander, Mrs. Johnson’s husband, Eric, and his friend Todd banter, shoot hoops, and work their way around to talking some truth about their lives, their marriages, their children, and their own secrets and dreams. Rounding out the volume and an inspiration for the two plays is the short story “With Hair of Hand-Spun Gold,†? a masterfully crafted piece of prose that is pure Neil LaBute—as dark and timeless as any Grimm’s fairytale yet as chillingly modern as a teenage girl chatting with an anonymous new “friend†? on the Internet.
After five years in New York City, Greg and Steph return to their hometown for their 20th high school reunion and to a dramatic encounter with Kent and Carly, the friends they left behind. Old secrets and new lies become increasingly difficult to hide as the evening (and the drinking) goes on. WithÂ Reasons To Be Pretty Happy, Neil LaButeÂ revisits the characters first introduced inÂ Reasons To Be PrettyÂ (2009 Tony Award-nominated Best Play) andÂ Reasons To Be HappyÂ as they grapple with that eternal question: Have I become the person I wanted to be? In this essential new American play, Neil LaBute concludes his brilliant and penetrating “Reasons†? trilogy with perfect clarity and enormous heart, capturing and refracting that moment in his characters’ lives—and in our own as well—when they finally land on a “pretty good†? version of happiness.Reasons To Be Pretty Happy had its world premiere at MCC Theater in a benefit reading that featured Paul Rudd, Amber Tamblyn, Norbert Leo Butz, Jennifer Mudge and was directed by Neil LaBute.
In the title play, Exhibit ‘A’, an artist pushes the boundaries of his art to a previously untouched frontier, challenging the very definition of “art.†? 10K explores the territory where fantasy and desire merge, as a man and woman share secrets while traversing a suburban jogging path. Here We Go Round the Mulberry Bush is a tense confrontation between two men in a park. In Happy Hour, a guy and a gal meet cute in a bar. I’m Going To Stop Pretending (That I Didn’t Break Your Heart) lays bare a couple at the bitter end of a relationship, where devastation and loss for one is freedom and inevitability for the other. Â 16 Pounds is a bleak, near-future look at water scarcity; BFF is the stage adaptation of LaBute’s short film about three “friends†?; Black Girls takes a white guy and a black girl through a wildly uncomfortable conversation; Some White Chick and The Unimaginable are two chillers written for Southwark Playhouse’s TERROR! Festival; and the monologue Totally is a young woman’s sex revenge confession like no other.
`the most tragic of the poets'AristotleEuripides was one of the most popular and controversial of all Greek tragedians, and his plays are marked by an independence of thought, ingenious dramatic devices, and a subtle variety of register and mood. He is also remarkable for the prominence he gave to female characters, whether heroines ofvirtue or vice. In the ethically shocking Medea, the first known child-killing mother in Greek myth to perform the deed in cold blood manipulates her world in order to wreak vengeance on her treacherous husband. Hippolytus sees Phaedra's confession of her passion for her stepson herald disaster,while Electra's heroine helps her brother murder their mother in an act that mingles justice and sin. Lastly, lighter in tone, the satyr drama, Helen, is an exploration of the impossibility of certitude as brilliantly paradoxical as the three famous tragedies.This new translation does full justice to Euripides's range of tone and gift for narrative. A lucid introduction provides substantial analysis of each play, complete with vital explanations of the traditions and background to Euripides's world.
The Admirable Crichton; Peter Pan; When Wendy Grew Up; What Every Woman Knows; Mary Rose
Author: J. M. Barrie
Pubpsher: Clarendon Press
Category: Juvenile Nonfiction
As well as being the author of the greatest of all children's plays, Peter Pan, J. M. Barrie also wrote sophisticated social comedy and political satire. The Admirable Crichton and What Every Woman Knows are shrewd and entertaining contributions to the politics of class and gender, while Mary Rose is one of the best ghost stories written for the stage.
In these little plays I have tried to bring before the public the two dominant characteristics of the ideal Christmas season, kindness, expressed by "good will toward men," and the inward joy wrought by kind acts, and suggested by "peace on earth." As Yuletide draws near we like to think of the swell of Christmas feeling, kindness, peace and good will, that rises like a mighty tide over the world, filling it with the fresh, clean joys and generous impulses that produce the peace that passeth understanding. Some of the plays are filled with the spirit of fun and jollity that is always associated with Christmas merrymaking; in others I have tried to emphasize the spiritual blessings brought to the children of men on that first white Christmas night when Christ, the Lord, was born in Bethlehem, and all the angels sang, "Gloria in excelsis, peace on earth, good will toward men."
Selected early works from the Pulitzer Prize-winning playwright. Throughout his work, Doug Wright has often combined the personal, the social, and the political, in the process unearthing fundamental truths about life and art while casting an unblinking eye on the dark--and darkly funny--side of human nature. Gathered here are three of Wright's early plays, including Interrogating the Nude, a tongue-in-cheek reimagining of the uproar surrounding the debut of Marcel Duchamp's work in America; Watbanaland, a satiric dissection of yuppie desire and a haunting look at family and faith; and the Obie Award-winning Quills, which explores the boundaries of artistic expression and the dangers of censorship as they played out in the Marquis de Sade's final days at Charenton Asylum.