This book takes the newest approach in anthropology--what is most frequently called reflexive ethnography wherein the anthropologist provides information on the researcher as well as the researched--one step further. After years of anthropological research in diverse cultures of the world, Romanucci-Ross, in this study, returns to the town in Italy where her Italian/American family came from. In Ascoli Piceno she is not only anthropological researcher but niece and aunt, cousin and daughter; here the professional outsider with the insider's perspective deals effectively with the parallax error inherent in views of observer and observed in the anthropological enterprise. A beautifully written yet scholarly account of a vivid and lively culture, this book is also a groundbreaking approach to the ever growing effort by anthropologists to overcome the limitations that emerge from the separation between researcher and subjects.
"Ever–ascending Sojourner cooks up wrenching sorrow and hilarious banter, environmental and moral conundrums, magnetizing characters, and a place of transcendent beauty in this intoxicating, provocative, and gloriously told desert tale of wildness and community, unexpected bonds and deep legacies, trauma and healing.” —BOOKLIST (starred review) Nell Walker, an LA executive who believed she had everything and learns she had nothing, finds herself boarding a bus rolling away from bitter loss toward a fiercely beautiful landscape, an impossible love affair, and a fight for the earth that brings her back to a past richer than anything she could have imagined. MARY SOJOURNER is the author of two novels, Sisters of the Dream and Going Through Ghosts; the short story collections The Talker and Delicate; an essay collection, Bonelight: Ruin and Grace in the New Southwest; and memoirs, Solace: Rituals of Loss and Desire and She Bets Her Life. She is an intermittent NPR commentator and the author of many essays, columns and op–eds for High Country News, Writers on the Range, and other publications. A graduate of the University of Rochester, Sojourner teaches writing in private circles, one–on–one, at colleges and universities, writing conferences, and book festivals. She believes in both the limitations and possibilities of healing through writing—the most powerful tool she has found for doing what is necessary to mend. She lives in Flagstaff, Arizona.
The Cat Who Would Be Dog is loosely based on Rudyard Kipling's short story, The Man Who Would Be King. This is the remarkable story of a cat that joins a pack of dogs. Boy, a large Maine coon cat, tells his amusing story of self-discovery, aware that most people think he is more like a dog than a cat! Soon he comes up with a shocking plan. He decides to join the neighborhood pack of dogs, who are disarmed by his look and his walk. Ironically, when an orphaned newborn kitty invades his house, Boy's glad that he's gone to the dogs. Ever the great storyteller, Boy entertains and enlightens readers with his tales of the Maine coon, explains how different dog breeds came to be, casts himself and his family in a Star Wars episode, dreams of eating buckets of ice cream in the park, and hitches a ride on a Harley Davidson to meet the Big Kahuna. Living with dogs seems just right for Boy until one day, a beautiful she-cat moves into the neighborhood. Suddenly Boy is not so sure who he really is, or wants to be.
In the 1930s, Broadway's lights still burned brightly. Ethan Mordden completes his history of the Broadway musical by taking a look at this forgotten era. Shows like Anything Goes brought the glitter of Cole Porter and Merman's brass to the public. Innovations in dance were pioneered by Balanchine and others. Scenic advancements made Astaire's The Band Wagon move across the stage in novel ways. Gershwin's revolutionary Porgy and Bess entered the canon of American Classics. And The Cradle Will Rock and Johnny Johnson took the American political temperature. With his trademark wit and style, Ethan Mordden shines the spotlight on Broadway's forgotten decade.
Rescue comes in unexpected ways for one man and his dog in this moving and redemptive novel, The Dog Who Saved Me, by New York Times bestselling author Susan Wilson Boston police officer Cooper Harrison never thought he'd go back to his hometown, Harmony Farms. But when his faithful K-9 partner Argos is killed in the line of duty, Cooper, caught in a spiral of trauma and grief, has nowhere else to turn. Jobless and on the verge of divorce, he accepts a offer for the position of dog officer in Harmony Farms, leaving the life he spent twenty years building behind. And so he finds himself back where he started. Where his father was once known as the town drunk and his brother outgrew juvenile delinquency to become a drug dealer. Where he grew up as ‘one of those' Harrisons. Cooper does his job with deliberate detachment, refusing to get emotionally invested in another dog the way he had with Argos—until he finds himself rescuing a wounded and gun-shy yellow lab gone feral. Cooper never thought he'd find himself going back in order to move forward, and yet Harmony Farms is the one place where Cooper must learn to forgive and, only then, heal. All with the help of a yellow dog.
This cutting-edge collection features original essays by eminent scholars on one of cinema's most dynamic and enduringly popular genres, covering everything from the history of horror movies to the latest critical approaches. Contributors include many of the finest academics working in the field, as well as exciting younger scholars Varied and comprehensive coverage, from the history of horror to broader issues of censorship, gender, and sexuality Covers both English-language and non-English horror film traditions Key topics include horror film aesthetics, theoretical approaches, distribution, art house cinema, ethnographic surrealism, and horror's relation to documentary film practice A thorough treatment of this dynamic film genre suited to scholars and enthusiasts alike
This is, first and foremost, a book about private animal rescue. The stories are true. As a result, these pages are filled with sadness and joy, loss and hope, heartbreak and compassion. Within the stories, personalities emerge, and the love affair between author and animal is apparent. During the course of one year, the author blogs the stories from her past alongside the rescues that occur in real time. Along the way, she discovers a growing support system in the blogosphere. Those connections offer not only emotional succor but also very tangible aid. The world of private animal rescue is candidly revealed in a series of short vignettes.
Release on 2008-06-12 | by Tracey West,Katherine Noll
Author: Tracey West,Katherine Noll
Category: Juvenile Fiction
Aly and AJ are off on a whirlwind concert tourm and their first stop is New York City! Before their big show, the sisters will be guest stars at the opening of Girls Rock Academy, a school for girls who love to rock. But when the school’s equipment disappears on the day of the opening, Aly and AJ are on the case. Can the girls solve the mystery of the missing guitars in time for the school’s opening?