So much to read, so little time? This brief overview of It Can’t Happen Here tells you what you need to know—before or after you read Sinclair Lewis’s book. Crafted and edited with care, Worth Books set the standard for quality and give you the tools you need to be a well-informed reader. This short summary and analysis of It Can’t Happen Here includes: Historical context Chapter-by-chapter overviews Profiles of the main characters Detailed timeline of key events Themes and symbols Important quotes and analysis Fascinating trivia Glossary of terms Supporting material to enhance your understanding of the original work About It Can’t Happen Here by Sinclair Lewis: Sinclair Lewis’s satirical novel It Can’t Happen Here documents the rise of a fascist government in the United States. It follows a small town newspaper editor, Doremus Jessup, as he watches his country come out of economic depression only to embrace a smoke-and-mirrors presidential candidate who wraps himself in patriotic zeal. This charismatic demagogue and his cronies amass power and wealth as the rest of the population watches its rights and freedoms disappear. There is censorship, the random violence of an unchecked paramilitary force, and the emergence of concentration camps. Jews, foreigners, and intellectuals are singled out for especially brutal treatment. Universities are taken over and books are burned. As he watches the devastating toll exacted from his friends and family, the once easygoing Jessup is swept into an underground resistance movement in which he must ignore his moral compass. A revolution is launched, but the outcome is uncertain. Lewis’s dystopian work asks: could it happen here and, if it does, how would it be stopped? The summary and analysis in this ebook are intended to complement your reading experience and bring you closer to a great work of fiction.
Release on 2009-03-26 | by Michael E. Connaughton,Suellen Rundquist
Selected papers from an interdisciplinary conference in honor of Sinclair Lewis and Ida K. Compton
Author: Michael E. Connaughton,Suellen Rundquist
Pubpsher: Cambridge Scholars Publishing
Category: Social Science
In October 2005 a conference honoring the contributions of Sinclair Lewis to Midwest and American culture and celebrating the friendship between Sinclair Lewis and Ida K. Compton was held at St. Cloud State University in St. Cloud, Minnesota. Sinclair Lewis would no doubt have been flattered, and perhaps a bit surprised by the breadth of this conference in his honor. The fact that scholars, writers, students and readers gathered to discuss his work and its broader influence would have pleased him. He would have learned that readers still found stimulus for serious thought in his writing, and that his works can serve as a springboard to discussion of today’s societal issues, some of which might surprise him considerably. The papers selected from the conference entitled The American Village in a Global Setting consider elements of Lewis’ world through today’s lens. In Part I, his version of community is compared to that documented in other ways, including architecture and television. Scholars address issues such as anti-Semitism, theocratic communities, the Irish, and outdoor life. In Part II, the concept of community is expanded to the visions of other authors including his contemporaries, such as Martha Ostenso, Josephine Donovan, and Willa Cather, as well as more recent writers. In Part III, today’s social and cultural issues in America are addressed, expressing the global and interdisciplinary intent of the conference. And, last, Part IV continues the global theme, addressing international communities and pedagogical philosophies through film and literature.
The contributors to The Moral of the Story, all preeminent political theorists, are unified by their concern with the instructive power of great literature. This thought-provoking combination of essays explores the polyvalent moral and political impact of classic world literatures on public ethics through the study of some of its major figures-including Shakespeare, Dante, Cervantes, Jane Austen, Henry James, Joseph Conrad, Robert Penn Warren, and Dostoevsky. Positing the uniqueness of literature's ability to promote dialogue on salient moral and intellectual virtues, editor Henry T. Edmonson III has culled together a wide-ranging exploration of such fundamental concerns as the abuse of authority, the nature of good leadership, the significance of 'middle class virtues' and the needs of adolescents. This collection reinvigorates the study of classic literature as an endeavor that is not only personally intellectually satisfying, but also an inimitable and unique way to enrich public discourse.
From the author of Mystery Train and Lipstick Traces, an exhilarating and provocative investigation of the tangle of American identity "America is a place and a story, made up of exuberance and suspicion, crime and liberation, lynch mobs and escapes; its greatest testaments are made of portents and warnings, biblical allusions that lose all certainty in the American air." It is this story of self-invention and nationhood that Greil Marcus rediscovers, beginning with John Winthrop's invocation of America as a "city on the hill," Lincoln's second inaugural address, and Martin Luther King Jr.'s speech about his American dream. Listening to these prophetic founding statements, Marcus explores America's promise as a New Jerusalem and the nature of its covenant: first with God, and then with its own citizens. In the nineteenth century, this vision of the nation's story was told in public as part of common discourse, to be fought over in plain speech and flights of gorgeous rhetoric. Since then, Marcus argues, it has become cryptic, a story told more in art than in politics. He traces it across the continent and through time, hearing the tale in the disparate voices of writers, filmmakers, performers, and actors: Philip Roth, David Lynch, David Thomas, Allen Ginsberg, Sheryl Lee, and Bill Pullman. In The Shape of Things to Come, the future and the past merge in extraordinary and uncanny ways, and Marcus proves once again that he is our most imaginative and original cultural critic.
The Rise of Sinclair Lewis examines the making of Lewis' s best-selling novelsMain Street, Babbitt, Arrowsmith, and Elmer Gantry—their sources, composition, publication, and subsequent critical reception. Drawing on thousands of pages of material from Lewis's notes, outlines, and drafts—most of it never before published—James M. Hutchisson shows how Lewis selected usable materials and shaped them, through his unique vision, into novels that reached and remained part of the American literary imagination. Hutchisson also describes for the first time how large a role was played by Lewis's wives, assistants, and publishers in determining the final shape of his books.
This book is about you, the person. It takes a unique look at how you, as an individual, define and understand yourself while living in a complex and confusing culture where violence, frustration, rage, anger and promicuity compete for your limited attention.