The title says it all! Klismaphilia - enema play - is one of the last taboos of kinky sex, yet this style of play can be erotic, intense and safe. M.R. Strict, an experienced practitioner whose expertise and enthusiasm have been shared by hundreds of thousands of devotees on his website, shares some of his hottest and most outrageous personal enema experiences (with men and women, gay and straight). Between the anecdotes, he explains the psychology, physiology and safety issues of using enemas as a disciplinary scenario, part of a medical roleplay, preparation for other forms of play or simply as exciting foreplay. The first book that explains how to bring the thrilling yet forbidden practice of klismaphilia to your own bedroom!
This book explores emergent intimate practices in social media cultures. It examines new digital intimacies as they are constituted, lived, and commodified via social media platforms. The study of social media practices has come to offer unique insights into questions about what happens to power dynamics when intimate practices are made public, about intimacy as public and political, and as defined by cultural politics and pedagogies, institutions, technologies, and geographies. This book forges new pathways in the scholarship of digital cultures by fusing queer and feminist accounts of intimate publics with critical scholarship on digital identities and everyday social media practices. The collection brings together a diverse range of carefully selected, cutting-edge case studies and groundbreaking theoretical work on topics such as selfies, oversharing, hook-up apps, sexting, Gamergate, death and grief online, and transnational family life. The book is divided into three parts: ‘Shaping Intimacy’, ‘Public Bodies’, and ‘Negotiating Intimacy’. Overarching themes include identity politics, memory, platform economics, work and labour, and everyday media practices.
Release on 2015-10-23 | by Alexandra Schultheis Moore
Author: Alexandra Schultheis Moore
Category: Literary Criticism
This book responds to the failures of human rights—the way its institutions and norms reproduce geopolitical imbalances and social exclusions—through an analysis of how literary and visual culture can make visible human rights claims that are foreclosed in official discourses. Moore draws on theories of vulnerability, precarity, and dispossession to argue for the necessity of recognizing the embodied and material contexts of human rights subjects. At the same time, she demonstrates how these theories run the risk of reproducing the structural imbalances that lie at the core of critiques of human rights. Pairing conventional human rights genres—legal instruments, human rights reports, reportage, and humanitarian campaigns—with literary and visual culture, Moore develops a transnational feminist reading praxis of five sites of rights and their violation over the past fifty years: UN human rights instruments and child soldiers in Nigerian literature; human rights reporting and novels that address state-sponsored ethnocide in Zimbabwe; the international humanitarian campaigns and disaster capitalism in fiction of Bhopal, India; the work of Médecins Sans Frontières in the Sahel, Afghanistan, Democratic Republic of Congo, and Burma as represented in various media campaigns and in photo/graphic narratives; and, finally, the human rights campaigns, fiction, and film that have brought Indonesia’s history of anti-leftist violence into contemporary public debate. These case studies underscore how human rights norms are always subject to conditions of imaginative representation, and how literature and visual culture participate in that cultural imaginary. Expanding feminist theories of embodied and imposed vulnerability, Moore demonstrates the importance of situating human rights violations not only in the context of neo-liberal development policies but also in relation to the growth of security networks that serve the nation-state often at the expense of the security of specific subjects and populations. In place of conventional victims and agents, the intersection of vulnerability and human rights opens up readings of human rights claims and suffering that are, at once, embodied and shareable, yet which run the risk of cooptation by security rhetoric.
Release on 2019-06-11 | by Faith G. Harper, PhD, LPC-S, ACS, ACN
Using Science for Better Relationships, Sex, and Dating
Author: Faith G. Harper, PhD, LPC-S, ACS, ACN
Pubpsher: Microcosm Publishing
Category: Family & Relationships
Explore your relationships and sexuality, with yourself and with others, with this new book by Dr. Faith, author of bestselling Unfuck Your Brain. Written particularly for people who are in intimate relationships, but also incredibly useful if you're single or dating and trying to unpack your past or plan for your future. With science and humor, Dr. Faith demystifies topics such as kink, consent, shame, and trauma recovery. Contains many exercises and questions to think, talk, or write about, on your own or with a partner. Read this book to learn vital life skills like listening to your body and your gut, setting boundaries, and communicating your needs. If you're looking to heal from past wounds, make better choices, or improve an existing relationship, this book is for you. Better sex and relationships are totally possible! You've got this.This book speaks to so many of the possible ways of being intimate with yourself and others. Whether you're queer, straight, trans, ace, demi, aro, are dealing with past abuse or societal bullshit, or have no freaking clue what's going on with you yet, Dr. Faith's got you covered.
Understanding Cinema, first published in 2003, analyzes the moving imagery of film and television from a psychological perspective. Per Persson argues that spectators perceive, think, apply knowledge, infer, interpret, feel and make use of knowledge, assumptions, expectations and prejudices when viewing and making sense of film. Drawing psychology and anthropology, he explains how close-ups, editing conventions, character psychology and other cinematic techniques work, and how and why they affect the spectator. This study integrates psychological and culturalist approaches to meanings and reception. Anchoring the discussion in concrete examples from early and contemporary cinema, Understanding Cinema also analyzes the design of cinema conventions and their stylistic transformations through the evolution of film.
Since its emergence in the 1960s, belief in alien abduction has saturated popular culture, with the ubiquitous image of the almond-eyed alien appearing on everything from bumper stickers to bars of soap. Drawing on interviews with alleged abductees from the New York area, Bridget Brown suggests a new way for people to think about the alien phenomenon, one that is concerned not with establishing whether aliens actually exist, but with understanding what belief in aliens in America may tell us about our changing understanding of ourselves and our place in the world. They Know Us Better Than We Know Ourselves looks at how the belief in abduction by extraterrestrials is constituted by and through popular discourse and the images provided by print, film, and television. Brown contends that the abduction phenomenon is symptomatic of a period during which people have come to feel increasingly divested of the ability to know what is real or true about themselves and the world in which they live. The alien abduction phenomenon helps us think about how people who feel left out create their own stories and fashion truths that square with their own experience of the world.
"I write in a state of raging anger and shame about what I saw. A fraud was perpetrated on the entire world. A weak and defenseless nation was invaded and occupied by the greatest superpower in history on a pretext that is a transparent deception, a lie. This should bother someone. My friend Bassim and his whole family were killed. This bothers me."A classical scholar and one of the few journalists to have interviewed Saddam Hussein, Canadian reporter Paul William Roberts knows Iraq better than most. And he was in Baghdad when the bombs started falling. This is his expose of the politics behind the recent war-and the brutal reality on the ground. It follows The Demonic Comedy, which the Globe and Mail called "funny, beguiling, poignant, powerful and very good indeed, [and] probably also has the unusual bonus feature of being true."
The number of confirmed cases of child sexual abuse in the United States rose from 6,000 in 1976 to 113,000 in 1985 and rose again to 300,000 in 2000. Understanding Child Sexual Abuse explores the dynamics, effects, treatment options, and preventive measures available to both the children and the adults involved in child sexual abuse. Chapters provide: Emphasis and guidance on seeking counseling Pathways for victims to seek renewed, healthy, and productive lives Options available for rehabilitating abusers Personality traits common to abusers Victim responses to the trauma of abuse Outlines of work now underway to understand neurobiological aspects of disorders that may lead to abuse Appropriate treatments for victims and offenders An overview of recommended books, websites, and other resources for further reading
In Book Two of the Disenchanted & Co. steampunk series, Charmian (Kit) Kittredge confronts native magics and mechanical menaces in Toriana—an alternate America that lost the Revolutionary War. As the proprietor of Disenchanted & Co. in a steampunk version of America, Charmian “Kit” Kittredge makes her living solving magical crimes. But when a snobbish lady begs for help, saving her reputation might very well cost Kit her life. Doing a favor for deathmage Lucien Dredmore, Kit agrees to interview a newly widowed lady as a potential client. Upon meeting, however, she learns that the woman in question is none other than Lady Eugenia Bestly, president of the Rumsen Ladies Decency Society—someone who once led a vicious campaign to ruin Kit’s life. Ironically Lady Bestly now lives in fear herself, for the press is about to unmask her husband as the savage “Wolfman” who died while terrorizing the city. As monstrous rampages continue to occur, Kit soon determines there is more than one Wolfman, and that they may themselves be victims of evil players. While avoiding both mechanized assassins and attempts by Dredmore and Chief Inspector Tom Doyle to take her under their protection, Kit follows a tangled path that leads from a prestigious gentlemen’s club fronting a hellish secret to a vengeful native tribe and dangerous, ancient magics.