Ethnography centers on the culture of everyday life. So it is ironic that most scholars who do research on the intimate experiences of ordinary people write their books in a style that those people cannot understand. In recent years, the ethnographic method has spread from its original home in cultural anthropology to fields such as sociology, marketing, media studies, law, criminology, education, cultural studies, history, geography, and political science. Yet, while more and more students and practitioners are learning how to write ethnographies, there is little or no training on how to write ethnographies well. From Notes to Narrative picks up where methodological training leaves off. Kristen Ghodsee, an award-winning ethnographer, addresses common issues that arise in ethnographic writing. Ghodsee works through sentence-level details, such as word choice and structure. She also tackles bigger-picture elements, such as how to incorporate theory and ethnographic details, how to effectively deploy dialogue, and how to avoid distracting elements such as long block quotations and in-text citations. She includes excerpts and examples from model ethnographies. The book concludes with a bibliography of other useful writing guides and nearly one hundred examples of eminently readable ethnographic books.
Features a collection of essays that focus on British travel narratives from the seventeenth through to the nineteenth centuries. This work investigates how the early explorers' sense of self was destabilised by encounters with the Other.
Release on 2018-05-21 | by Sarah Daynes,Terry Williams
Author: Sarah Daynes,Terry Williams
Pubpsher: John Wiley & Sons
Category: Social Science
In turn creative thinker and street flâneur, careful planner and adventurer, empathic listener and distant voyeur, recluse writer and active participant: the ethnographer is a multifaceted researcher of social worlds and social life. In this book, sociologists Sarah Daynes and Terry Williams team up to explore the art of ethnographic research and the many complex decisions it requires. Using their extensive fieldwork experience in the United States and Europe, and hours spent in the classroom training new ethnographers, they illustrate, discuss, and reflect on the key skills and tools required for successful research, including research design, entry and exit, participant observation, fieldnotes, ethics, and writing up. Covering both the theoretical foundations and practical realities of ethnography, this highly readable and entertaining book will be invaluable to students in sociology and other disciplines in which ethnography has become a core qualitative research method.
Narrative psychiatry empowers patients to shape their lives through story. Rather than focusing only on finding the source of the problem, in this collaborative clinical approach psychiatrists also help patients diagnose and develop their sources of strength. By encouraging the patient to explore their personal narrative through questioning and story-telling, the clinician helps the patient participate in and discover the ways in which they construct meaning, how they view themselves, what their values are, and who it is exactly that they want to be. These revelations in turn inform clinical decision-making about what it is that ails them, how they'd like to treat it, and what recovery might look like. The Art of Narrative Psychiatry is the first comprehensive description of narrative psychiatry in action. Engaging and accessible, it demonstrates how to help patients cultivate their personal sources of strength and meaning as resources for recovery. Illustrated with vivid case reports and in-depth accounts of therapeutic conversations, the book offers psychiatrists and psychotherapists detailed guidance in the theory and practice of this collaborative approach. Drawing inspiration from narrative therapy, post-modern philosophy, humanistic medicine, and social justice movements - and replete with ways to more fully manifest the intentions of the mental health recovery model - this engaging new book shows how to draw on the standard psychiatric toolbox while also maintaining focus on the patient's vision of the world and illuminating their skills and strengths. Written by a pioneer in the field, The Art of Narrative Psychiatry describes a breadth of nuanced, powerful narrative practices, including externalizing problems, listening for what is absent but implicit, facilitating re-authoring conversations, fostering communities of support, and creating therapeutic documents. The Art of Narrative Psychiatry addresses mental health challenges that range from mild to severe, including anxiety, depression, despair, anorexia/bulimia, perfectionism, OCD, trauma, psychosis, and loss. True to form, the author narrates her own experience throughout, sharing her internal thoughts and decision-making processes as she listens to patients. The Art of Narrative Psychiatry is necessary reading for any professional seeking to empower their patients and become a better, more compassionate clinician.
In Red Hangover Kristen Ghodsee examines the legacies of twentieth-century communism twenty-five years after the Berlin Wall fell. Ghodsee's essays and short stories reflect on the lived experience of postsocialism and how many ordinary men and women across Eastern Europe suffered from the massive social and economic upheavals in their lives after 1989. Ghodsee shows how recent major crises—from the Russian annexation of Crimea and the Syrian Civil War to the rise of Islamic State and the influx of migrants in Europe—are linked to mistakes made after the collapse of the Eastern Bloc when fantasies about the triumph of free markets and liberal democracy blinded Western leaders to the human costs of "regime change." Just as the communist ideal has become permanently tainted by its association with the worst excesses of twentieth-century Eastern European regimes, today the democratic ideal is increasingly sullied by its links to the ravages of neoliberalism. An accessible introduction to the history of European state socialism and postcommunism, Red Hangover reveals how the events of 1989 continue to shape the world today.
Preaching is not as simple as it may appear. The preacher today is confronted with a dizzying array of homiletic methods and approaches, each holding important insights into how to proclaim the Good News. While pastors wish to learn from these different ways of preaching, they often do not know where to begin (Who are the best representatives of a given approach? How do the different methods relate to one another? How has the preaching scene changed in recent years?). In The Web of Preaching, Richard Eslinger addresses these and other questions about contemporary approaches to preaching. Surveying the most important current theories of preaching, he argues that no homiletic method can be understood on its own. The different schools of thought on preaching all intersect at such common points as Scripture, narrative, and the role of preaching in worship. A strength in one compensates for a weakness in another, and seen together they form one comprehensive "web of preaching." This book is a follow-up to Eslinger's earlier A New Hearing, which has been a standard text in preaching courses since its publication in 1987.
Grammardog Teacher's Guide contains 16 quizzes for this memoir. All sentences are from the book. Figurative language includes: "slavery would not always hold me within its foul embrace," "the bitterest dregs of slavery," "the tomb of slavery," "the arms of slavery." Allusions are drawn from history, religion and literature: Napoleon, Patrick Henry, Spartans, Job, Ham, Methodist, Whittier, "Lady of the Lake."