Most pop songs are short-lived. They appear suddenly and, if they catch on, seem to be everywhere at once before disappearing again into obscurity. Yet some songs resonate more deeply—often in ways that reflect broader historical and cultural changes. In Footsteps in the Dark, George Lipsitz illuminates these secret meanings, offering imaginative interpretations of a wide range of popular music genres from jazz to salsa to rock. Sweeping changes that only remotely register in official narratives, Lipsitz argues, can appear in vivid relief within popular music, especially when these changes occur outside mainstream white culture. Using a wealth of revealing examples, he discusses such topics as the emergence of an African American techno music subculture in Detroit as a contradictory case of digital capitalism and the prominence of banda, merengue, and salsa music in the 1990s as an expression of changing Mexican, Dominican, and Puerto Rican nationalisms. Approaching race and popular music from another direction, he analyzes the Ken Burns PBS series Jazz as a largely uncritical celebration of American nationalism that obscures the civil rights era’s challenge to racial inequality, and he takes on the infamous campaigns to censor hip-hop and the radical black voice in the early 1990s. Teeming with astute observations and brilliant insights about race and racism, deindustrialization, and urban renewal and their connections to music, Footsteps in the Dark puts forth an alternate history of post–cold war America and shows why in an era given to easy answers and clichd versions of history, pop songs matter more than ever. George Lipsitz is professor of black studies and sociology at the University of California, Santa Barbara. Among his many books are Life in the Struggle, Dangerous Crossroads, and American Studies in a Moment of Danger (Minnesota, 2001).
The Priory may look ramshackle in appearance, but Peter, Margaret, and Celia, are totally charmed by their newly-inherited country house. But there's more to The Priory than meets the eye. Left empty for years, hardly a single person has set foot inside and, down in the village, the locals whisper of a ghostly figure that roams the halls . . . When a murder is committed, the new owners start to fear the rumours are true – but is their new home really haunted, or is someone trying to scare them away? Dark secrets, an unexplained death and an old country house lie at the heart of Georgette Heyer’s classic murder mystery. 'A writer of great wit and style' DAILY TELEGRAPH 'Her characters and dialogue are a delight' DOROTHY L. SAYERS 'Georgette Heyer is unbeatable' INDIA KNIGHT
NOW A LIFETIME MOVIE CHANNEL DOCUMENTARY It was a shocking true crime that left two families shattered, and became the coldest case in U.S. history. Who really killed little Maria? The question fueled a real-life nightmare in Sycamore, Illinois... 1957. Sycamore, Illinois. Christmas was three weeks away, and seven-year-old Maria Ridulph went out to play. Soon after, a figure emerged out of the falling snow. He was very friendly. Minutes later, Maria vanished, leaving behind an abandoned doll and footsteps in the snow. In April, a spring thaw gave up Maria’s body in a nearby wooded area. The case attracted national attention, including that of the FBI and President Eisenhower. In all, seventy-four men and three women fell under suspicion. But no one was ever charged with the crime. Incredibly, fifty-five years later, the coldest case in the history of American jurisprudence would be reopened. It happened after a seventy-four-year-old former neighbor of the Ridulphs named Eileen Tessier made a stunning deathbed confession to her family about a dark past, and a darker secret they knew nothing about. Two families would be joined by despair and retribution, and in an astounding turn of events, Maria Ridulph’s killer would finally be brought to justice. INCLUDES PHOTOGRAPHS
Join the adventure as Anna and David are catapulted back in time to alter history and save the medieval kingdom of Wales ... Footsteps in Time: Anna is driving her aunt's minivan with her brother, David, when she crashes through time and finds herself in the middle of an ambush of Llywelyn, the last Prince of Wales. It is December 1282, and the English have attacked, hoping to eliminate the Welsh rebels forever. Instead,the siblings save Llywelyn's life and embark on a journey that transforms not only themselves but an entire world. Footsteps in Time is the story of what might have happened had Llywelyn lived. And what happens to the two teenagers who save him. Prince of Time: David and his man-at-arms, Ieuan, find themselves alone and on the run from a company of English soldiers who've sworn vengeance for the recent death of their king. Meanwhile, Llywelyn lays on his deathbed from a traitor's arrow. And once again, it is David and Anna, and all they represent, that holds the key to the survival of Wales. Footsteps in Time and Prince of Time are the first two books in the After Cilmeri series and are appropriate for teens to adults. Keywords: time travel, alternate history, historical romance, historical fantasy, medieval, middle ages, Wales, young adult, teen
Mallory Book 11: the eleventh NYPD detective Kathy Mallory novel from New York Times bestseller Carol O'Connell, master of knife-edge suspense and intricate plotting. The reviews called it 'A Play to Die For' after the woman was found dead in the front row. The next night, there's another front-row death. Detective Kathy Mallory takes over, but no matter what she asks, no one seems to be giving her a straight answer. The only person - if 'person' is the right word - who seems to be clear is the ghostwriter. Every night, an unseen backstage hand chalks up line changes and messages on a blackboard. And the ghostwriter is now writing Mallory into the play itself, a play about a long-ago massacre that may not be at all fictional. 'MALLORY,' the blackboard reads, 'TONIGHT'S THE NIGHT. NOTHING PERSONAL.' If Mallory can't find out who's responsible, heads will roll. Unfortunately, one of them might be her own...
Le Queux was the first and most prolific of all British spy writers, but Spies of the Kaiser was not just another tale of scheming foreigners and plucky British heroes, for this paranoid tale of German secret agents plotting the invasion of Britain played a major part in the formation of MI5, Britain's counter-espionage organisation. In his introduction, intelligence historian Nicholas Hiley explains how Le Queux's powerful blend of fact and fiction inspired a whole generation of British secret service officers, and led MI5 in a nation-wide hunt for a non-existent enemy.
Errol Flynn set the standard for the modern action hero in films like The Adventures of Robin Hood, Dodge City, and The Sea Hawk. This biography follows Flynn from his birth in Tasmania, Australia, in 1909, to his death in Vancouver, Canada, in 1959. Included is analysis of his films, discussion of the 1943 rape trial that changed his life, a survey of the FBI’s infamous surveillance, and the first detailed account of his television appearances in the 1950s. First-hand interviews with Flynn’s friends and colleagues are complemented by research from FBI files, correspondence, Flynn’s diary, and other sources. Illustrated with rare and previously unpublished photographs, the study also gives attention to the historical backgrounds and cultural influences that contributed to Flynn’s fame; the work takes an objective and analytical look at the actor’s adventurous life. The study includes two appendices: the first is a collection of quotations from various celebrities, from memories of his talent and style to anecdotes about his wild pool parties. The second appendix is a filmography including all Flynn’s work for film, stage, and television, with cast and crew information.
Musing in the Footsteps of Jesus beckons you to interact with the real and imaginary characters involved in events of Jesuss early ministry. Witness the life-changing effect on a tent maker and his two young sons as Jesus receives baptism in the Jordan River accompanied by the voice of God introducing him as his beloved son. Be with Jesus in a cave for forty days, preparing for the attack by Satan and his airborne, warring angels. Marvel at how a bear and an owl contribute to Jesuss survival. Enjoy the sense of humor of the fishermen who joke of the Messiah as their big catch. Later, as Jesuss full-time disciples, they cheerfully confess they are the ones enmeshed in a net. The wedding in Cana turns comical when a renowned chef finds the wine unworthy of his recipes. Jesuss new wine proves to be the best wine ever to touch the gourmets palate. A Pharisee ruler comes to Jesus at night. As the schooled priest asks Jesus of the secrets of heaven, the mans conflicting thoughts reveal his character and spirituality. The woman at Jacobs well appears to be a repentant sinner yearning for a Messiah. The vision Jesus sees of her past explains why he tells her, before all others, that he is the Christ. When a rich man asks Jesus how to get to heaven, Christ answers that he must part with his riches and serve him. The man leaves with a sad countenance. Hear the mystical voice from a whirlwind, see the rich mans fanciful flight on a horse to the moon, and you will understand why he chose to obey Jesus and serve him. This storyteller prays these dreams will increase your hunger for deeper understanding of the Holy Scriptures.
In Spirits Rejoice! Jason Bivins explores the relationship between American religion and American music, and the places where religion and jazz have overlapped. Much writing about jazz tends toward glorified discographies or impressionistic descriptions of the actual sounds. Rather than providing a history, or series of biographical entries, Spirits Rejoice! takes to heart a central characteristic of jazz itself and improvises, generating a collection of themes, pursuits, reoccurring foci, and interpretations. Bivins riffs on interviews, liner notes, journals, audience reception, and critical commentary, producing a work that argues for the centrality of religious experiences to any legitimate understanding of jazz, while also suggesting that jazz opens up new interpretations of American religious history. Bivins examines themes such as musical creativity as related to specific religious traditions, jazz as a form of ritual and healing, and jazz cosmologies and metaphysics. Spirits Rejoice! connects Religious Studies to Jazz Studies through thematic portraits, and a vast number of interviews to propose a new, improvisationally fluid archive for thinking about religion, race, and sound in the United States. Bivins's conclusions explore how the sound of spirits rejoicing challenges not only prevailing understandings of race and music, but also the way we think about religion. Spirits Rejoice! is an essential volume for any student of jazz, American religion, or American culture.