Release on 2016-12-26 | by Sara Buttsworth,Maartje Abbenhuis
Author: Sara Buttsworth,Maartje Abbenhuis
Category: Literary Criticism
This exciting new collection examines the relationships between warfare, myths, and fairy tales, and explores the connections and contradictions between the narratives of war and magic that dominate the ways in which people live and have lived, survived, considered and described their world. Presenting original contributions and critical reflections that explore fairy tales, fantasy and wars, be they "real" or imagined, past or present, this book looks at creative works in popular culture, stories of resistance, the history and representation of global and local conflicts, the Holocaust, across multiple media. It offers a timely and important overview of the latest research in the field, including contributions from academics, story-tellers and artists, thereby transcending the traditional boundaries of the disciplines, extending the parameters of war studies beyond the battlefield.
Fairy Tale Archetypes in Eight Horror and Suspense Films
Author: Walter Rankin
Category: Performing Arts
Though Grimm’s Fairy Tales was published about 200 years ago, the revered collection of folk stories remains one of the most iconic pieces of children’s literature and has had significant influence in modern pop culture. This work examines the many ways that recent films have employed archetypal images, themes, symbols, and structural elements that originated in the most well-known Grimm fairy tales. The author draws similarities between the cannibalistic symbolism of the Grimm brothers’ Little Red Cap and the 1991 film The Silence of the Lambs and reveals Faustian parallels between Rumpelstiltskin and the 1968 film Rosemary’s Baby. Each of eight chapters reveals a similar pairing, and film stills and illustrations are featured throughout the work.
On 28th October 1940, the Greek premier, Ioannis Metaxis, refused to accept a deliberately provocative ultimatum from Mussolini and Italian forces began the invasion of Greece via Albania. This aggression was prompted by Mussolini's desire for a quick victory to rival Hitler's rapid conquest of France and the Low Countries. On paper, Greek forces were poorly equipped and ill-prepared for the conflict but Mussolini had underestimated the skill and determination of the defenders. Within weeks the Italian invasion force was driven back over the border and Greek forces actually advanced deep into Albania.A renewed Italian offensive in March 1941 was also given short shrift, prompting Hitler to intervene to save his ally. German forces invaded Greece via Bulgaria on 6 April. The Greeks, now assisted by British forces, resisted by land, sea and air but were overwhelmed by the superior German forces and their blitzkrieg tactics. Despite a dogged rearguard action by Anzac forces at the famous pass of Thermopyale, Athens fell on the 27th April and the British evacuated 50,000 troops to Crete. This island, whose airfields and naval bases Churchill considered vital to the defence of Egypt and the Suez Canal, was invaded by German airborne troops the following month and eventually captured after a bitter thirteen-day battle. The remaining British troops were evacuated and the fall of Greece completed. John Carr's masterful account of these desperate campaigns, while not disparaging the British and Commonwealth assistance, draws heavily on Greek sources to emphasize the oft-neglected experience of the Greeks themselves and their contribution to the fight against fascism.
In the 1970s, feminists focused critical attention on fairy tales and broke the spell that had enchanted readers for centuries. By exposing the role of fairy tales in the cultural struggle over gender, feminism transformed fairy-tale studies and sparked a debate that would change the way society thinks about fairy tales and the words "happily ever after." Now, after three decades of provocative criticism and controversy, this book reevaluates the feminist critique of fairy tales. The eleven essays within Fairy Tales and Feminism challenge and rethink conventional wisdom about the fairy-tale heroine and offer new insights into the tales produced by female writers and storytellers. Resisting a one-dimensional view of the woman-centered fairy tale, each essay reveals ambiguities in female-authored tales and the remarkable potential of classical tales to elicit unexpected responses from women. Exploring new texts and contexts, Fairy Tales and Feminism reaches out beyond the national and cultural boundaries that have limited our understanding of the fairy tale. The authors reconsider the fairy tale in French, German, and Anglo-American contexts and also engage African, Indian Ocean, Iberian, Latin American, Indo-Anglian, and South Asian diasporic texts. Also considered within this volume is how film, television, advertising, and the Internet test the fairy tale's boundaries and its traditional authority in defining gender. From the Middle Ages to the postmodern age-from the French fabliau to Hollywood's Ever After and television's Who Wants to Marry a Millionaire?-the essays assembled here cover a broad range of topics that map new territory for fairy-tale studies. Framed by a critical survey of feminist fairy-tale scholarship and an extensive bibliography-the most comprehensive listing of women-centered fairy-tale research ever assembled-Fairy Tales and Feminism is a valuable resource for anyone interested in the intersection of fairy tales and feminism.
This inspirational book encourages us to find our purpose from God. Dr. B.L. Gregory keeps the language simple; however, the tone of the book is bold and strong. Take a trip with her while she reflects on the amazement of God in her life. Hopefully, you will be inspired and begin or continue to seek God's purpose he has for you.
The Master of Irony Readers the world over recognize O. Henry as the best short story writer of the early twentieth century. Widely known as a master of irony, O. Henry also displays here dazzling wordplay and a wry combination of pathos and humor.
As a young girl, Cather was a voracious reader of fairy tales and folklore. The present volume is a serious examination of the many references to fairy-tale motifs, characters, and structures in her writings. Annotation copyrighted by Book News, Inc., Portland, OR