Essays in Oriental Numismatics

Papers Contributed to the Journal of the Royal Asiatic Society of Great Britain and Ireland, and to the Numismatic Chronicle, Etc

Essays in Oriental Numismatics


Dictionary Catalog

Dictionary Catalog


Problems of Chronology in Gandhāran Art

Proceedings of the First International Workshop of the Gandhāra Connections Project, University of Oxford, 23rd-24th March, 2017

Problems of Chronology in Gandhāran Art

Since the beginning of Gandhāran studies in the nineteenth century, chronology has been one of the most significant challenges to the understanding of Gandhāran art. Many other ancient societies, including those of Greece and Rome, have left a wealth of textual sources which have put their fundamental chronological frameworks beyond doubt. In the absence of such sources on a similar scale, even the historical eras cited on inscribed Gandhāran works of art have been hard to place. Few sculptures have such inscriptions and the majority lack any record of find-spot or even general provenance. Those known to have been found at particular sites were sometimes moved and reused in antiquity. Consequently, the provisional dates assigned to extant Gandhāran sculptures have sometimes differed by centuries, while the narrative of artistic development remains doubtful and inconsistent. Building upon the most recent, cross-disciplinary research, debate and excavation, this volume reinforces a new consensus about the chronology of Gandhāra, bringing the history of Gandhāran art into sharper focus than ever. By considering this tradition in its wider context, alongside contemporary Indian art and subsequent developments in Central Asia, the authors also open up fresh questions and problems which a new phase of research will need to address. Problems of Chronology in Gandhāran Art is the first publication of the Gandhāra Connections project at the University of Oxford’s Classical Art Research Centre, which has been supported by the Bagri Foundation and the Neil Kreitman Foundation. It presents the proceedings of the first of three international workshops on fundamental questions in the study of Gandhāran art, held at Oxford in March 2017.

Essays on Indian Antiquities, Historic, Numismatic, and Palaeographic

To Which are Added Tables, Illustrative of Indian History, Chronology, Modern Coinages, Weights, Measures, Etc.

Essays on Indian Antiquities, Historic, Numismatic, and Palaeographic

A two-volume collection of essays (1858) by a great antiquary, artist, orientalist and key figure in the history of Benares (Varanasi).

Negotiating Cultural Identity

Landscapes in Early Medieval South Asian History

Negotiating Cultural Identity

This volume breaks new ground by conceptualizing landscape as a dynamic cultural complex in which the natural world and human practice are inextricably linked and are constantly interacting. It examines the social and cultural construction of space in the early medieval period in South Asia, as manifest in society, religious architecture and as shaped through trade and economic transactions.