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Curating Research

Author : Paul O'Neill
ISBN : 0949004030
Genre : Art
File Size : 58. 46 MB
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An opening to curatorial enquiry : introduction to curating and research Paul O'Neill et Mick Wilson -- The complete curator Liam Gillick -- Towards the exhibition as research Simon Sheikh -- Renewing the curatorial refrain : sustainable research in contemporary art Maja et Reuben Fowkes -- And the question is Georgina Jackson -- Academy as exhibition Henk Slager -- What if an institution was curated? Intermediae as an institutional hypothesis Olga Fernandez Lopez -- Post-research notes : (re)search for the true self-managed art Jelena Vesić -- Movements that matter : the Projekt Migration (2003-06) Marion von Osten -- Action research : generative curatorial practice Kate Fowle -- Home works Sidsel Nelund -- Evolving archive : Asia Art Archive Hyunjoo Byeon -- In the time of trying : If I Can't Dance, I Don't Want To Be Part of Your Revolution Vivian Ziherl -- Drafts, acts and lapses : Eastside Projects Chris Fite-Wassilak -- Our own bubbles of ignorance : the aesthetic of research of some biennales Carson Chan et Joanna Warsza -- Curatorial dictionary : unpacking the oxymoron

Curating Research Data

Author : Lisa R. Johnston
ISBN : 083898858X
Genre : Data curation in libraries
File Size : 23. 78 MB
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Data are becoming the proverbial coin of the digital realm: a research commodity that might purchase reputation credit in a disciplinary culture of data sharing, or buy transparency when faced with funding agency mandates or publisher scrutiny. Unlike most monetary systems, however, digital data can flow in all too great an abundance. Not only does this currency actually grow on trees, but it comes from animals, books, thoughts, and each of us! And that is what makes data curation so essential. The abundance of digital research data challenges library and information science professionals to harness this flow of information streaming from research discovery and scholarly pursuit and preserve the unique evidence for future use. Volume One of Curating Research Data explores the variety of reasons, motivations, and drivers for why data curation services are needed in the context of academic and disciplinary data repository efforts. Twelve chapters, divided into three parts, take an in-depth look at the complex practice of data curation as it emerges around us. Part I sets the stage for data curation by describing current policies, data sharing cultures, and collaborative efforts currently underway that impact potential services. Part II brings several key issues, such as cost recovery and marketing strategy, into focus for practitioners when considering how to put data curation services in action. Finally, Part III describes the full lifecycle of data by examining the ethical and practical reuse issues that data curation practitioners must consider as we strive to prepare data for the future. Digital data is ubiquitous and rapidly reshaping how scholarship progresses now and into the future. The information expertise of librarians can help ensure the resiliency of digital data, and the information it represents, by addressing how the meaning, integrity, and provenance of digital data generated by researchers today will be captured and conveyed to future researchers.

Digital Curation For Libraries And Archives

Author : Stacy T. Kowalczyk
ISBN : 9781610696326
Genre : Language Arts & Disciplines
File Size : 28. 89 MB
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An up-to-date examination of the evolving field of digital curation and its important place in libraries, covering the major technical, social, and organizational issues surrounding curation for libraries, archives, and other information-based organizations. • Supplies a practical and much-needed guide on an emerging and dynamic field for librarians • Gives librarians the skills they need to help patrons and fellow librarians deal with the data deluge • Addresses a current and highly relevant topic in library and information science and fills a gap in the existing literature on preservation

Curatorial Challenges

Author : Malene Vest Hansen
ISBN : 9781351174480
Genre : Social Science
File Size : 74. 5 MB
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Curatorial Challenges investigates the challenges faced by curators in contemporary society and explores which practices, ways of thinking, and types of knowledge production curating exhibitions could challenge. Bringing together international curators and researchers from the fields of art and cultural history, the book provides new research and perspectives on the curatorial process and aims to bridge the traditional gap between theoretical and academic museum studies and museum practices. The book focuses on exhibitions as a primary site of cultural exchange and argues that, as highly visible showcases, producers of knowledge, and historically embedded events, exhibitions establish and organize meanings of art and cultural heritage. Temporary exhibitions continue to increase in cultural significance and yet the traditional role of the museum as a Bildung institution has changed. As exhibitions gain in significance, so too do curatorial strategies. Arguing that new research is needed to help understand these changes, the book presents original research that explores how curatorial strategies inform both art and cultural history museums in contemporary society. The book also investigates what sort of critical, transformative, and perhaps even conservative, potential can be traced in exhibition cultures. Curatorial Challenges fosters innovative interdisciplinary exchange and brings new insights to the field of curatorial studies. As such, it should be of great interest to academics, researchers, and postgraduate students engaged in the study of curatorial practice, museum studies, the making of exhibitions, museum communication, and art history.

Research And Advanced Technology For Digital Libraries

Author : José Luis Borbinha
ISBN : 9783642043451
Genre : Computers
File Size : 46. 26 MB
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This book constitutes the refereed proceedings of the 13th European Conference on Research and Advanced Technology for Digital Libraries, ECDL 2009, held in Corfu, Greece, in September/October 2009. The 28 revised full papers and 6 revised short papers presented together with 2 panel description, the extended abstracts of 20 revised poster and 16 demo papers were carefully reviewed and selected from a total of 181 submissions. The papers are organized in topical sections on services, infrastructures, interaction, knowledge organization systems, interfaces, resource discovery, architectures, information retrieval, preservation, and evaluation.

Research Data Management

Author : Joyce M. Ray
ISBN : 9781557536648
File Size : 40. 54 MB
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It has become increasingly accepted that important digital data must be retained and shared in order to preserve and promote knowledge, advance research in and across all disciplines of scholarly endeavor, and maximize the return on investment of public funds. To meet this challenge, colleges and universities are adding data services to existing infrastructures by drawing on the expertise of information professionals who are already involved in the acquisition, management and preservation of data in their daily jobs. Data services include planning and implementing good data management practices, thereby increasing researchers' ability to compete for grant funding and ensuring that data collections with continuing value are preserved for reuse. This volume provides a framework to guide information professionals in academic libraries, presses, and data centers through the process of managing research data from the planning stages through the life of a grant project and beyond. It illustrates principles of good practice with use-case examples and illuminates promising data service models through case studies of innovative, successful projects and collaborations. Contributors include: James L. Mullins, Purdue University; MacKenzie Smith, University of California at Davis; Sherry Lake, University of Virginia; John Kunze, University of California; Bernard Reilly, Center for Research Libraries; Jacob Carlson, Purdue University; Melissa Levine, University of Michigan; Jenn Riley, University of North Carolina at Chapel Hill; Jan Brase, German National Library of Science and Technology; Seamus Ross, University of Toronto; Sarah Shreeves, University of Illinois at Urbana-Champaign; Jared Lyle, University of Michigan; Michele Kimpton, DuraSpace; Brian Schottlaender, University of California San Diego; Suzie Allard, University of Tennessee; Angus Whyte, Digital Curation Centre; Scott Brandt, Purdue University; Brian Westra, University of Oregon; Geneva Henry, Rice University; Gail Steinhart, Cornell University; and Cliff Lynch, Coalition for Networked Information. Charleston Insights in Library, Information, and Archival Sciences is a new series produced as a collaboration between the organizers of the Charleston Library Conference and Purdue University Press. Volumes in the series focus on important topics in library and information science, presenting the issues in a relatively jargon-free way that is accessible to all types of information professionals.

Curating Degree Zero Archive

Author :
ISBN : 1517453364
Genre :
File Size : 66. 91 MB
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On Curating Issue 26

Author : Dorothee Richter
ISBN : 1517453364
Genre :
File Size : 42. 77 MB
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On-Curating Issue 26 dis one of three publications on the Curating Degree Zero Archive.The Curating Degree Zero Archive (CDZA) documents the work of over 100 contemporary art curators who are known internationally for their critical and experimental positions. This collection of exhibition documentation, gifted to the archivists by the curators themselves, contains, among other materials, catalogues, DVDs, magazines and ephemera. In this way the archive presents a representative cross-section of the critical curatorial discourse at the beginning of the twenty-first century.The project began with the three-day symposium "Curating Degree Zero", organized in Bremen in 1998 by Dorothee Richter and Barnaby Drabble. Between 2003 and 2008, the two curators worked together again on the archive, which grew in size as it travelled to eighteen venues around the world as an exhibition and a program of live events and discussions. In 2011, the resulting collection was gifted to the Media and Information Centre (MIZ) at the Z�rich University of the Arts (ZHdK). Since the opening of the university's new premises in the Toni-Areal in 2014, the archive is accessible as a permanent reference collection on public display. by Barnaby Drabble and Dorothee Richter, the archive was developed in partnership with the following venues, collectives and institutions:Plug-in (Basel), Centre d'Art Contemporain Geneva, K�nstlerhaus Bremen, O.K Centrum f�r Gegenwartskunst (Linz), Spike Island Art Space (Bristol), Halle f�r Kunst (L�neburg), International Project Space (Bournville), Northern Gallery for Contemporary Art (Sunderland), Artlab at Imperial College (London), Sparwasser HQ (Berlin), Edinburgh College of Art, Nuova Accademia di Belle Arti (Milan), Festival der K�nste & Museum f�r Gestaltung (Z�rich), INSA Art Space (Seoul), Association Drash & Point �ph�m�re (Paris), Rakett (Bergen), West Cork Arts Centre (Skibbereen) and Galerija Miroslav Kraljevic,Zagreb.

The Palgrave Handbook Of Contemporary Heritage Research

Author : E. Waterton
ISBN : 9781137293565
Genre : History
File Size : 41. 38 MB
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This book explores heritage from a wide range of perspectives and disciplines and in doing so provides a distinctive and deeply relevant survey of the field as it is currently researched, understood and practiced around the world.

Research Methods For Creating And Curating Data In The Digital Humanities

Author : Matt Hayler
ISBN : 9781474409674
Genre : Computers
File Size : 34. 32 MB
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As all scholars increasingly use digital tools to support their research, and every internet user becomes used to data being available, elucidating, and engaging, the creative aspects of Digital Humanities work are coming under increasing scrutiny. This volume explores the practice of making new tools, new images, new collections, and new artworks in an academic environment, detailing who needs to be involved and what their roles might be, and how they come together to produce knowledge as a collective. The chapters presented here demonstrate that creation is never neutral with political and theoretical concerns intentionally or unavoidably always being written into the fabric of what is being made, even if that's the seeming neatness of computer code. In presenting their own creative research, the writers in this volume offer examples of practice that will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications.

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