"...all the makings of a comedy classic..." Ian Timms - Presenter, BBC Radio Cumbria. Read this hilarious account of one couple's adventures walking Wainwright's famous Coast to Coast Walk across northern England. It is nominally a diary of their progress through the magnificent landscapes of Lakeland, Swaledale, and the North York Moors, that have made this one of the most popular long-distance walks in the world, but the story is also laced with numerous comic asides, witty reflections, and humorous portraits of their fellow 'Coasters' and the people who offer accommodation along the route. An ideal travelling companion for first-time Coasters or a delightful memory-jogger for experienced old hands with a sense of humor. "...a highly entertaining and humorous book." John Burland - The Wainwright Society
Starting in 1984, the British Transformers comic wasn't just a successful toy advert, it taught a generation of British schoolboys how to read through its exciting action packed pages. With sales that vied with 2000AD writers Simon Furman and Bob Budiansky created a generation of fan boys that have never looked back. Stuart Webb was one such reader, and in 2012 he began a journey looking through every single issue of the series, commenting on its highs and lows. He became the first person to look at every backup strip, every comedic cartoon and each editorial and how they worked together to create the most thorough exploration of a publishing phenomenon ever undertaken. It's also personal, full of humour and silliness and even the occasionally thoughtful moment. The final result is an essential read, for Transformers fans, and those interested in the history of Marvel comics in the UK and the impact this comic had on an entire generation.
In the land that time forgot, 1960s and 1970s America (Amerika to some), there once were some bold, forthright, thoroughly unashamed social commentators who said things that “couldn't be said” and showed things that “couldn't be shown.” They were outrageous — hunted, pursued, hounded, arrested, busted, and looked down on by just about everyone in the mass media who deigned to notice them at all. They were cartoonists — underground cartoonists. And they were some of the cleverest, most interesting social commentators of their time, as well as some of the very best artists, whose work has influenced the visual arts right up until today. A History of Underground Comics is their story — told in their own art, in their own words, with connecting commentary and analysis by one of the very few media people who took them seriously from the start and detailed their worries, concerns and attitudes in broadcast media and, in this book, in print. Author, Mark James Estren knew the artists, lived with and among them, analyzed their work, talked extensively with them, received numerous letters and original drawings from them — and it's all in A History of Underground Comics. What Robert Crumb really thinks of himself and his neuroses…how Gilbert Shelton feels about Wonder Wart-Hog and the Fabulous Furry Freak Brothers…how Bill Griffith handled the early development of Zippy the Pinhead…where Art Spiegelman's ideas for his Pulitzer-prize-winning Maus had their origins…and much, much more. Who influenced these hold-nothing-sacred cartoonists? Those earlier artists are here, too. Harvey Kurtzman — famed Mad editor and an extensive contributor to A History of Underground Comics. Will Eisner of The Spirit — in his own words and drawngs. From the bizarre productions of long-ago, nearly forgotten comic-strip artists, such as Gustave Verbeek (who created 12-panel strips in six panels: you read them one way, then turned them upside down and read them that way), to modern but conventional masters of cartooning, they're all here — all talking to the author and the reader — and all drawing, drawing, drawing. The underground cartoonists drew everything, from over-the-top sex (a whole chapter here) to political commentary far beyond anything in Doonesbury (that is here, too) to analyses of women's issues and a host of societal concerns. From the gorgeously detailed to the primitive and childlike, these artists redefined comics and cartooning, not only for their generation but also for later cartoonists. In A History of Underground Comics, you read and see it all just as it happened, through the words and drawings of the people who made it happen. And what “it” did they make happen? They raised consciousness, sure, but they also reflected a raised consciousness — and got slapped down more than once as a result. The notorious obscenity trial of Zap #4 is told here in words, testimony and illustrations, including the exact drawings judged obscene by the court. Community standards may have been offended then — quite intentionally. Readers can judge whether they would be offended now. And with all their serious concerns, their pointed social comment, the undergrounds were fun, in a way that hidebound conventional comics had not been for decades. Demons and bikers, funny “aminals” and Walt Disney parodies, characters whose anatomy could never be and ones who are utterly recognizable, all come together in strange, peculiar, bizarre, and sometimes unexpectedly affecting and even beautiful art that has never since been duplicated — despite its tremendous influence on later cartoonists. It's all here in A History of Underground Comics, told by an expert observer who weaves together the art and words of the cartoonists themselves into a portrait of a time that seems to belong to the past but that is really as up-to-date as today's headl
Release on 2003 | by Bhob Stewart,Bill Pearson,Roger Hill
Mad Artist Wallace Wood
Author: Bhob Stewart,Bill Pearson,Roger Hill
Pubpsher: TwoMorrows Publishing
Bhob Stewart's long-awaited Against the Grain: Mad Artist Wallace Wood is the definitive book ever produced on the career of one of science fiction and comics' finest artists. In addition to a remarkable memoir of life at the Wood Studio, former Wood associate Bhob Stewart also provides a biographical portrait, tracing Wood's life from Minnesota to Manhattan while exploring the humorous spirit, dark detours, and psychological twists of a gifted maverick who often went against the grain. From childhood drawings and ambitious teenage samples to an endless parade of pages for a variety of publishers - Avon, EC, Fox, Marvel, Warren, and more - plus illustrations for Galaxy Science Fiction, this is the most stunning display of Wood art ever assembled. Many of the artists and writers who knew Wood personally have also contributed articles and essays, making this book a huge compendium of imaginative art, insights and critical commentary. Bill Pearson, executor of the Wood Estate, has made available rare drawings directly from Wood's own files, while noted art collector Roger Hill, an authority on artists of the EC era, provides a wealth of obscure, previously unpublished Wood drawings and paintings.
Probably the second most popular superhero of all time (some would place him at first, ahead of his compatriot Superman), Batman represents a crimefighter without any special powers except his own natural abilities extended to their human limits. Nevertheless he still inhabits a unique fantasy universe, full of weird villains and inhabiting his own top-secret lair filled with trophies culled from past adventures. This volume presents covers from the height of his adventures, starting in the late 1960's and stretching over the next decade. This ebook presents large, full-color scans of issues #201-300. The reader is given story and publishing information on each issue as well.
Release on 1993 | by Michigan State University. Libraries. Special Collections Division
An Author, Artist, Title, and Subject Catalog of the Comic Art Collection, Special Collections Division, Michigan State University Libraries
Author: Michigan State University. Libraries. Special Collections Division
Category: Social Science
This is the most comprehensive dictionary available on comic art. The catalog provides detailed information about more than 60,000 cataloged books, magazines, scrapbooks, fanzines, comic books, and other materials in the Michigan State University Libraries, America's premiere library comics collection. Each book or serial is listed by title, with entries as appropriate under author, subject, and series. Besides the traditional books and magazines, significant collections of microfilm, sound recordings, vertical files, and realia (mainly T-shirts) are included. Comics and related materials are grouped by nationality and by genre.