Release on 2019-11-30 | by Melissa Ursula Dawn Goldsmith
Author: Melissa Ursula Dawn Goldsmith
Listen to Classic Rock! Exploring a Musical Genre provides an overview of this diverse and complex musical genre for scholars of classic rock and curious novices alike, with a focus on 50 must-hear musicians, songwriters, bands, and albums. • Explains classic rock composition and songwriting techniques as well as studio production values • Considers the vast array of classic rock styles as well the diversity of artists who recorded classic rock • Includes often overlooked contributors to classic rock such as Jim Croce, Marvin Gaye, Tina Turner, and The Ventures as well as overlooked subgenres such as soft rock • Covers rock and roll's precursors that helped give rise to classic rock as well as how classic rock has continued as a popular music genre from the late 1970s into the present • Offers historical context of the development of classic rock, discussing its lasting impact on popular culture and its legacy
At 3 a.m. on Monday, 18 August 1969, the final night of the Woodstock Music & Art Fair, four men armed only with acoustic guitars faced the gaping darkness of a vast open-air audience. An hour later, Crosby, Stills, Nash and Young had confounded and convinced their peers, and cemented their place in rock history. They had also made themselves, for better or worse, synonymous with Woodstock, and with the nebulous Woodstock generation which it inspired. Between 1969 and 1974, CSNY were the most successful, influential and politically potent rock band in America. More than any of their peers, they channelled and broadcast all the radical anger, romantic idealism and generational angst of their era. The vast emotional range of their music, from delicate acoustic confessionals to raucous counter-culture anthems, was mirrored in the turbulence of their personal lives. Their trademark may have been vocal harmony, but few if any of their contemporaries could match the recklessness of their hedonistic and often warring lifestyles, as four stubborn, driven songwriters pursued chemical and sexual pleasure to life-threatening extremes. Crosby, Stills, Nash & Young is the first major biography of a band whose first two albums are undisputed rock classics, and which continues to attract a large and loyal following to their sporadic reunions. At the same time, Peter Doggett illuminates the pivotal years of 1960s counterculture through the story of four of its key protagonists, whose music, beliefs and relationships with each other chronicle both its trajectory and its legacy.
Brian Wilson and the Beach Boys in Critical Perspective
Author: Philip Lambert
Pubpsher: University of Michigan Press
Good Vibrations brings together scholars with a variety of expertise, from music to cultural studies to literature, to assess the full extent of the contributions to popular culture and popular music of one the most successful and influential pop bands of the twentieth century. The book covers the full fifty-year history of the Beach Boys’ music, from essays on some of the group’s best-known music—such as their hit single “Good Vibrations” —to their mythical unfinished masterpiece, Smile. Throughout, the book places special focus on the individual whose creative vision brought the whole enterprise to life, Brian Wilson, advancing our understanding of his gifts as a songwriter, arranger, and producer. The book joins a growing body of literature on the popular music of the 1960s, in general, and on Brian Wilson and the Beach Boys in particular. But Good Vibrations extends the investigation further and deeper than it has gone before, not only offering new understanding and insights into individual songs and albums, but also providing close examination of compositional techniques and reflections on the group’s place in American popular culture.
This one-of-a-kind reference investigates the music and the musicians that set the popular trends of the last half century in America. • Contains an alphabetical collection of entries that each profile a major group and band from the past 60 years • Provides a selected discography and bibliography for further listening and reading for each entry • Covers a wide variety of styles from classic rock to surf rock to hip hop • Features sidebar entries which tie together larger popular music concepts such as the rise and influence of MTV and the phenomenon of girl bands
“A must for CSNY fans.” —Kirkus Reviews, starred review The first ever biography focused on the formative and highly influential early years of “rock’s first supergroup” (Rolling Stone) Crosby, Stills, Nash, and Young—when they were the most successful, influential, and politically potent band in America—in honor of the fiftieth anniversary of Woodstock and the formation of the band itself. 1969 to 1974 were true golden years of rock n’ roll, bookmarking an era of arguably unparalleled musical power and innovation. But even more than any of their eminent peers, David Crosby, Stephen Stills, Graham Nash, and Neil Young channeled and broadcast all the radical anger, romantic idealism, and generational angst of their time. Each of the members had already made their marks in huge bands (The Hollies, Buffalo Springfield, The Byrds), but together, their harmonies were transcendent. The vast emotional range of their music, from delicate acoustic confessionals to raucous counter-culture anthems, was mirrored in the turbulence of their personal lives. Their trademark may have been vocal harmony, but few—if any—of their contemporaries could match the recklessness of their hedonistic and often combative lifestyles, when the four tenacious, volatile, and prodigal songwriters pursued chemical and sexual pleasure to life-threatening extremes. Including full color photographs, CSNY chronicles these four iconic musicians and the movement they came to represent, concentrating on their prime as a collective unit and a cultural force: the years between 1969, when Woodstock telegraphed their arrival to the world, and 1974, when their arch-enemy Richard Nixon was driven from office, and the band (to quote Graham Nash himself) “lost it on the highway.” Even fifty years later, there are plenty of stories left to be told about Crosby, Stills, Nash, and Young—and music historian Peter Doggett is here to bring them to light in the meticulously researched CSNY, a quintessential and illuminative account of rock’s first supergroup in their golden hour for die-hard fans, nostalgic flower-children, and music history aficionados alike.