No one understands the music industry--from the technology, to the legalities, to the new industry practices--better than veteran music lawyer Donald Passman. In this completely revised and updated seventh edition of All You Need To Know About the Music Business, which the Los Angeles Times called “the industry bible” and which has sold hundreds of thousands of copies, Passman offers executives and artists, experts and novices alike the essential information they need not only to survive in these volatile and exciting times, but also to thrive. Drawing on his unique, up-to-the-minute experience as one of the most trusted advisors in the business, Passman offers advice concerning: - The Copyright Royalty Board’s latest decisions regarding online transmissions. - The developing new customs concerning new technologies such as streaming on demand, ringtones, and digital downloads. Passman also gives guidance on other fundamental issues such as how to: - Select and hire a winning team of advisors--personal and business managers, agents, and attorneys--and structure their commissions, percentages, and fees in a way that will protect you and maximize these relationships. - Master the big picture and the finer points of record deals. - Navigate the ins and outs of songwriting, music publishing, and copyright law. - Maximize concert touring and merchandising deals. Almost everyone in the music business, from musicians and songwriters to entertainment lawyers and record company executives, are scrambling to sort out what is going to happen next, and Passman is right in the thick of these changes. Here is a book for anyone interested in a music career: a comprehensive and crucial guide to making it in one of the world’s most dynamic industries.
All You Need to Know About the Music Business by veteran music lawyer Don Passman—dubbed “the industry bible” by the Los Angeles Times—is now updated to address the biggest transformation of the music industry yet: streaming. For more than twenty-five years, All You Need to Know About the Music Business has been universally regarded as the definitive guide to the music industry. Now in its tenth edition, Donald Passman leads novices and experts alike through what has been the most profound change in the music business since the days of wax cylinders and piano rolls. For the first time in history, music is no longer monetized by selling something—it’s monetized by how many times listeners stream a song. And that completely changes the ecosystem of the business, as Passman explains in detail. Since the advent of file-sharing technology in the late 1990s to the creation of the iPod, the music industry has been teetering on the brink of a major transformation—and with the newest switch to streaming music, this change has finally come to pass. Passman’s comprehensive guide offers timely, authoritative information from how to select and hire a winning team of advisors and structure their commissions and fees; navigate the ins and outs of record deals, songwriting, publishing, and copyrights; maximize concert, touring, and merchandising deals; and how the game is played in a streaming world. “If you want to be in music, you have to read this book,” says Adam Levine, lead singer and guitarist of Maroon 5. With its proven track record, this updated edition of All You Need to Know About the Music Business is more essential than ever for musicians, songwriters, lawyers, agents, promoters, publishers, executives, and managers—anyone trying to navigate the rapid transformation of the industry.
Presents job descriptions, education and training, salary, and the outlook for various careers in the music industry that do not require a college degree, including DJ, audio engineer, and broadcaster.
In any career in business, chances are that the time will come when someone will ask you to do a strategy for something. Too often, this will be a cue for stress at work and sleepless nights. What You Need to Know about Strategy shows that it doesn’t have to be like this. Taking you step-by-step through the basics of what you need to know to come up with a great strategy, it shows: That getting the right answers depends on asking the right questions Why priorities matter How to map out your internal and external situation How to deal with uncertainty How to make tough choices What your brain does while you’re doing strategy By cutting out the theory, and focusing on the things you need to know and do to come up with a killer strategy, this book means that you never need to panic again.
The Must-Have Guide for Breaking into the Music Business Completely revised and updated for the twenty-first century, The Music Business provides essential career advice and information on how to get started and advance in all areas of the music industry—from an author who’s had careers in music as an artist and professor for more than two decades. This comprehensive volume gives you guidance and information on: • Starting your music career • The ins and outs of recording contracts • Record producing and music engineering • The distribution and sale of records • The Internet and MP3s, and their effects on the music industry • The latest computer programs • Copyright law • Composing music and songwriting • Music education • The international music industry • And much more . . . The Music Business is an indispensable reference for anyone who wants to begin a career in any of the industry’s facets, as well as an invaluable aid to professional and would-be professional musicians alike.
Release on 2001 | by Kristen Schilo,Susan Gedutis Lindsay
Author: Kristen Schilo,Susan Gedutis Lindsay
Pubpsher: Berklee Press
Get more than your foot in the door! This is the bible for anyone who has ever dreamed of landing a job in the music business, from recording the next Top 10 hit to running a record company. Featuring advice and secrets to educate and empower the serious entertainment industry job seeker, this handy guide provides: details on booming job prospects in new media, a resource directory of key publications and top industry trade organizations, interviews with top pros revealing how they got their start, workshops to help you assess and develop a personalized career path, networking and resume tips, and much more.
The Myths, the Secrets, the Lies (And a Few Truths)
Author: Peter M. Thall
Pubpsher: Billboard Books
Bad news: The music business is packed with hidden agendas. Good news: There’s one indispensable guide that helps songwriters, musicians, executives, lawyers, and managers understand the music business and travel its shark-infested waters safely and confidently. What They’ll Never Tell You About the Music Business sold more than 20,000 copies in its first edition. This new, fully revised edition presents even more priceless insider information, updated for today’s music scene, plus clear explanations and advice on the new transparency in agreements, the impact of agent-artist agreements, new webcasting opportunities, changes in copyright law, royalty limits, and all the other developments in law and technology, plus advice for songwriters, A&R people, and artists, and much, much more. Packed with real-world ideas and tips, What They’ll Never Tell You About the Music Business, Revised and Updated is the must-have guide for creative types and business types—everyone who works in the music industry. “Intelligent and accessible.” —David Geffen From the Hardcover edition.
Release on 2012-12-15 | by Kathy Furgang,Adam Furgang
Author: Kathy Furgang,Adam Furgang
Pubpsher: The Rosen Publishing Group, Inc
Category: Juvenile Nonfiction
For teens hoping for a career in music, an internship or volunteer opportunity is a great way to get a foot in the door. Serving as a valuable guide, music lovers are introduced to the wide variety of work experiences available to them, including positions in music performance, music publishing, music production, music education, music therapy, instrument tuning and repair, and more. Readers learn how to find and land an interesting internship or volunteer opportunity in their community, as well as how to make the most of the experience. A varied list of music-related organizations to contact supplements the creative ideas in the text.
'Business-as-usual' has been transformed across the music industries in the post-CD age. Against widespread hype about the purported decline of the major music labels, this book provides a critique of the ways these companies have successfully adapted to digital challenges – and what is at stake for music makers and for culture. Today, recording artists are positioned as 'artist-brands' and popular music as a product to be licensed by consumer and media brands. Leslie M. Meier examines key consequences of shifting business models, marketing strategies, and the new 'common sense' in the music industries: the gatekeeping and colonization of popular music by brands. Popular Music as Promotion is important reading for students and scholars of media and communication studies, cultural studies and sociology, and will appeal to anyone interested in new intersections of popular music, digital media and promotional culture.