Excerpt from The Works of E. P. Roe, Vol. 12: A Face Illumined About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
A complete concordance or verbal index to words, phrases and passages in the dramatic works of Shakespeare. There is also a supplementary concordance to the poems. This is an essential reference work for all students and readers of Shakespeare.
Photography, Writing, and Space in Shanghai, 1925-1937
Author: William Schaefer
Pubpsher: Duke University Press
During the early twentieth century, Shanghai was the center of China's new media culture. Described by the modernist writer Mu Shiying as "transplanted from Europe" and “paved with shadows,” for many of its residents Shanghai was a city without a past paradoxically haunted by the absent past’s traces. In Shadow Modernism William Schaefer traces how photographic practices in Shanghai provided a forum within which to debate culture, ethnicity, history, and the very nature of images. The central modernist form in China, photography was neither understood nor practiced as primarily a medium for realist representation; rather, photo layouts, shadow photography, and photomontage rearranged and recomposed time and space, cutting apart and stitching places, people, and periods together in novel and surreal ways. Analyzing unknown and overlooked photographs, photomontages, cartoons, paintings, and experimental fiction and poetry, Schaefer shows how artists and writers used such fragmentation and juxtaposition to make visible the shadows of modernity in Shanghai: the violence, the past, the ethnic and cultural multiplicity excluded and repressed by the prevailing cultural politics of the era and yet hidden in plain sight.
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - Two or three years ago the editor of "Lippincott's Magazine" asked me, with many others, to take part in the very interesting "experience meeting" begun in the pages of that enterprising periodical. I gave my consent without much thought of the effort involved, but as time passed, felt slight inclination to comply with the request. There seemed little to say of interest to the general public, and I was distinctly conscious of a certain sense of awkwardness in writing about myself at all. The question, Why should I? always confronted me. When this request was again repeated early in the current year, I resolved at least to keep my promise. This is done with less reluctance now, for the reason that floating through the press I meet with paragraphs concerning myself that are incorrect, and often absurdly untrue. These literary and personal notes, together with many questioning letters, indicate a certain amount of public interest, and I have concluded that it may be well to give the facts to those who care to know them.