the last darky bert williams black on black minstrelsy and the african diaspora a john hope franklin center book

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The Last Darky

Author : Louis Chude-Sokei
ISBN : 9780822387060
Genre : Social Science
File Size : 42. 80 MB
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The Last “Darky” establishes Bert Williams, the comedian of the late nineteenth century and early twentieth, as central to the development of a global black modernism centered in Harlem’s Renaissance. Before integrating Broadway in 1910 via a controversial stint with the Ziegfeld Follies, Williams was already an international icon. Yet his name has faded into near obscurity, his extraordinary accomplishments forgotten largely because he performed in blackface. Louis Chude-Sokei contends that Williams’s blackface was not a display of internalized racism nor a submission to the expectations of the moment. It was an appropriation and exploration of the contradictory and potentially liberating power of racial stereotypes. Chude-Sokei makes the crucial argument that Williams’s minstrelsy negotiated the place of black immigrants in the cultural hotbed of New York City and was replicated throughout the African diaspora, from the Caribbean to Africa itself. Williams was born in the Bahamas. When performing the “darky,” he was actually masquerading as an African American. This black-on-black minstrelsy thus challenged emergent racial constructions equating “black” with African American and marginalizing the many diasporic blacks in New York. It also dramatized the practice of passing for African American common among non-American blacks in an African American–dominated Harlem. Exploring the thought of figures such as Booker T. Washington, W. E. B. Du Bois, Marcus Garvey, and Claude McKay, Chude-Sokei situates black-on-black minstrelsy at the center of burgeoning modernist discourses of assimilation, separatism, race militancy, carnival, and internationalism. While these discourses were engaged with the question of representing the “Negro” in the context of white racism, through black-on-black minstrelsy they were also deployed against the growing international influence of African American culture and politics in the twentieth century.

The Oxford Handbook Of Dance And Theater

Author : Nadine George-Graves
ISBN : 9780199917495
Genre : Dance
File Size : 48. 87 MB
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The Oxford Handbook of Dance and Theater collects a critical mass of border-crossing scholarship on the intersections of dance and theatre. Taking corporeality as an idea that unites the work of dance and theater scholars and artists, and embodiment as a negotiation of power dynamics with important stakes, these essays focus on the politics and poetics of the moving body in performance both on and off stage. Contemporary stage performances have sparked global interest in new experiments between dance and theater, and this volume situates this interest in its historical context by extensively investigating other such moments: from pagan mimes of late antiquity to early modern archives to Bolshevik Russia to post-Sandinista Nicaragua to Chinese opera on the international stage, to contemporary flash mobs and television dance contests. Ideologically, the essays investigate critical race theory, affect theory, cognitive science, historiography, dance dramaturgy, spatiality, gender, somatics, ritual, and biopolitics among other modes of inquiry. In terms of aesthetics, they examine many genres such as musical theater, contemporary dance, improvisation, experimental theater, television, African total theater, modern dance, new Indian dance theater aesthetics, philanthroproductions, Butoh, carnival, equestrian performance, tanztheater, Korean Talchum, Nazi Movement Choirs, Lindy Hop, Bomba, Caroline Masques, political demonstrations, and Hip Hop. The volume includes innovative essays from both young and seasoned scholars and scholar/practitioners who are working at the cutting edges of their fields. The handbook brings together essays that offer new insight into well-studied areas, challenge current knowledge, attend to neglected practices or moments in time, and that identify emergent themes. The overall result is a better understanding of the roles of dance and theater in the performative production of meaning.

Burnt Cork

Author : Stephen Johnson
ISBN : 9781558499348
Genre : Literary Criticism
File Size : 49. 78 MB
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This collection of original essays brings together a group of prominent scholars of blackface performance to reflect on this complex and troublesome tradition. The essays consider the early relationship of the blackface performer with American politics and the antislavery movement; the relationship of minstrels to the commonplace compromises of the touring 'show' business and to the mechanisation of the industrial revolution; and much more.

Paj

Author :
ISBN : UOM:49015003160919
Genre : Drama
File Size : 58. 46 MB
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Drama Review

Author :
ISBN : UCAL:B5122160
Genre : Drama
File Size : 57. 70 MB
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The Sound Of Culture

Author : Louis Chude-Sokei
ISBN : 9780819575784
Genre : Literary Criticism
File Size : 36. 15 MB
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The Sound of Culture explores the histories of race and technology in a world made by slavery, colonialism, and industrialization. Beginning in the late nineteenth century and moving through to the twenty-first, the book argues for the dependent nature of those histories. Looking at American, British, and Caribbean literature, it distills a diverse range of subject matter: minstrelsy, Victorian science fiction, cybertheory, and artificial intelligence. All of these facets, according to Louis Chude-Sokei, are part of a history in which music has been central to the equation that links blacks and machines. As Chude-Sokei shows, science fiction itself has roots in racial anxieties and he traces those anxieties across two centuries and a range of writers and thinkers—from Samuel Butler, Herman Melville, and Edgar Rice Burroughs to Sigmund Freud, William Gibson, and Donna Haraway, to Norbert Weiner, Sylvia Wynter, and Samuel R. Delany.

Bert Williams

Author : Eric Ledell Smith
ISBN : UOM:49015001387233
Genre : Performing Arts
File Size : 38. 63 MB
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In the early 20th century, black musical shows, operettas, and revues were among Americas most popular forms of entertainment. The foremost of the eras African-American entertainers was pantomime artist and comedian Bert Williams. With partner George Nash Walker, Williams starred in the first black musical to open on Broadway, In Dahomey (which became the first black show to give a command performance before English royalty). In 1910, he joined Florenz Ziegfelds Follies--the only black then regularly appearing on Broadway. Williams career was marked by racism. "Its no disgrace to be a Negro but its certainly an inconvenience, " he said. Despite his status, Williams did not escape the burnt-cork makeup, never dropping the black caricature to move on to dramatic roles.

African Rhythms

Author : Randy Weston
ISBN : 9780822393108
Genre : Music
File Size : 47. 30 MB
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The pianist, composer, and bandleader Randy Weston is one of the world’s most influential jazz musicians and a remarkable storyteller whose career has spanned five continents and more than six decades. Packed with fascinating anecdotes, African Rhythms is Weston’s life story, as told by him to the music journalist Willard Jenkins. It encompasses Weston’s childhood in Brooklyn’s Bedford-Stuyvesant neighborhood—where his parents and other members of their generation imbued him with pride in his African heritage—and his introduction to jazz and early years as a musician in the artistic ferment of mid-twentieth-century New York. His music has taken him around the world: he has performed in eighteen African countries, in Buddhist temples and Shinto shrines, in the Canterbury Cathedral, and at the grand opening of the Bibliotheca Alexandrina: The New Library of Alexandria. Africa is at the core of Weston’s music and spirituality. He has traversed the continent on a continuous quest to learn about its musical traditions, produced its first major jazz festival, and lived for years in Morocco, where he opened a popular jazz club, the African Rhythms Club, in Tangier. Weston’s narrative is replete with tales of the people he has met and befriended, and with whom he has worked. He describes his unique partnerships with Langston Hughes, the musician and arranger Melba Liston, and the jazz scholar Marshall Stearns, as well as his friendships and collaborations with Duke Ellington, Dizzy Gillespie, Coleman Hawkins, Thelonious Monk, Billy Strayhorn, Max Roach, Charlie Parker, Miles Davis, the novelist Paul Bowles, the Cuban percussionist Candido Camero, the Ghanaian jazz artist Kofi Ghanaba, the Gnawa musicians of Morocco, and many others. With African Rhythms, an international jazz virtuoso continues to create cultural history.

Passed On

Author : Karla FC Holloway
ISBN : 0822332450
Genre : Biography & Autobiography
File Size : 70. 41 MB
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The author reflects on the myths, rituals, and realities of death in the African-American community, using interviews, archival research, literature, film, and music to probe this fascinating topic.

Lynching In The West 1850 1935

Author : Ken Gonzales-Day
ISBN : 0822337940
Genre : History
File Size : 70. 7 MB
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This visual and textual study of lynchings that took place in California between 1850 and 1935 shows that race-based lynching in the United States reached far beyond the South.

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