structures of thinking v10 routledge classics in sociology

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First published in 1982. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

The Routledge Companion to Philosophy and Film is the first comprehensive volume to explore the main themes, topics, thinkers and issues in philosophy and film. The Companion features sixty specially commissioned chapters from international scholars and is divided into four clear parts: • issues and concepts • authors and trends • genres • film as philosophy. Part one is a comprehensive section examining key concepts, including chapters on acting, censorship, character, depiction, ethics, genre, interpretation, narrative, reception and spectatorship and style. Part two covers authors and scholars of film and significant theories Part three examines genres such as documentary, experimental cinema, horror, comedy and tragedy. Part four includes chapters on key directors such as Tarkovsky, Bergman and Terrence Malick and on particular films including Memento. Each chapter includes a section of annotated further reading and is cross-referenced to related entries. The Routledge Companion to Philosophy and Film is essential reading for anyone interested in philosophy of film, aesthetics and film and cinema studies.

Science is continually confronted by new and difficult social and ethical problems. Some of these problems have arisen from the transformation of the academic science of the prewar period into the industrialized science of the present. Traditional theories of science are now widely recognized as obsolete. In Scientific Knowledge and Its Social Problems (originally published in 1971), Jerome R. Ravetz analyzes the work of science as the creation and investigation of problems. He demonstrates the role of choice and value judgment, and the inevitability of error, in scientific research. Ravetz's new introductory essay is a masterful statement of how our understanding of science has evolved over the last two decades.

This book is an analysis of a selection of Adorno’s work distinguishing his dialectics from Hegel, Marx and other members of the Frankfurt School (Benjamin, Kracauer, Marcuse) in the analysis of jazz, popular music, radio and pre-war pro-fascist propaganda.

Interpersonal relationships are possible for humans because we are created in the image of a Trinitarian God. But if the Trinity is our model for relationships, why is the human condition rife with pain and evil? How are we to think correctly about fallen human relationships and our models for understanding them? Redeeming Sociology advocates a biblically informed model for human relationships—relationships rooted in the Trinitarian character of God, his governance of the world, and his redemption accomplished in Christ. Poythress examines how the breaking of relationships through sin leads to strife, murder, and oppression among human beings and sets cultures against one another. And he shows how these broken relationships are restored through the outworking of redemption in Christ. Though typical sociological models for interpersonal relationships may offer some valuable insights, they are handicapped by a fundamental misunderstanding of humanity. The biblical model that Poythress presents correctly diagnoses the problem of human relationships, so it can likewise prescribe a biblical solution that infuses new meaning and power into how we relate to others made in the image of God.

A stimulating and penetrating study of rock music, from rock 'n' roll to the present day.

Classic sociological analyses of 'deviance' and rebellion; studies of technology; subcultural and feminist readings, semiotic and musicological essays and close readings of stars, bands and the fans themselves by Adorno, Barthes and other well-known contributors

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