oranges are not the only fruit

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Oranges Are Not The Only Fruit

Author : Jeanette Winterson
ISBN : 0802198724
Genre : Fiction
File Size : 88. 95 MB
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Winner of the Whitbread Prize for best first fiction, Oranges Are Not the Only Fruit is a coming-out novel from Winterson, the acclaimed author of The Passion and Sexing the Cherry. The narrator, Jeanette, cuts her teeth on the knowledge that she is one of God’s elect, but as this budding evangelical comes of age, and comes to terms with her preference for her own sex, the peculiar balance of her God-fearing household crumbles.

Oranges Are Not The Only Fruit

Author : Jeanette Winterson
ISBN : 9780099935704
Genre : Bildungsromane
File Size : 44. 38 MB
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Winner of 1985 Whitbread award for a first novel. Semi-autobiographical this is a typical coming of age story of a girl brought up in a working class Pentecostal family in the North of England.

Oranges Are Not The Only Fruit

Author : Jeanette Winterson
ISBN : 0802135161
Genre : Fiction
File Size : 25. 16 MB
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Describes the humorous adventures during the childhood of an eccentric girl, whose mother unsuccessfully tries to protect her from temptations

The Function Of Fairy Tales In Jeanette Winterson S Oranges Are Not The Only Fruit

Author : Anonym
ISBN : 9783640769803
Genre :
File Size : 31. 96 MB
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Seminar paper from the year 2005 in the subject English - Literature, Works, grade: 1,0, Johannes Gutenberg University Mainz, language: English, abstract: In terms of genre, Jeanette Winterson's 1985 novel Oranges are not the Only Fruit is definitely groundbreaking. The author uses autobiographical elements, elements of the female Bildungsroman but also of the typical coming out novel. Furthermore, besides many allusions to other literary works and an enormous use of intertextuality, Winterson constructs girlhood through fantasy, myth, and fairy tales which challenge the expectations about any conventional novel. As Paulina Palmer describes, in Oranges "Examples of realism, fantasy and anti-realism flourish side by side," co-exist and intermingle with each other (2). By mixing all these different genres in her novel, Jeanette Winterson destabilizes the possibility of a single authoritative reading of her fiction. Definitely intriguing is her use of fairy tales within Oranges. Because traditional fairy tales have often been subject of feminist criticism, it seems curious that especially Winterson, as a lesbian author, interweaves many, seemingly traditional fairy tales into her plot. After the 20th century suffrage and liberation movements, feminists such as K.E. Rowe argue that these "domestic fictions" have encouraged women throughout centuries to blindly await Prince Charming in order to fulfil their primary goal in life: marriage (237). These tales picture women as subdued to men, first to their fathers, then to their husbands, as dependent heroines who need to be rescued from the dangers the world bares. It is furthermore well known that "By virtue of the beautiful simplicity that folk tales have, by virtue of their single context, they become ideal vehicles for incorporating elements of the cultures which produce them" (Rabkin 100). Yet, I argue that the fairy-tale episodes in Oranges are not as traditiona

Oranges Are Not The Only Fruit

Author : Kathryn Simpson
ISBN : 0582431573
Genre : Juvenile Nonfiction
File Size : 90. 65 MB
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The Depiction Of Religion And Homosexuality In Oranges Are Not The Only Fruit

Author : Stephanie Schmitz
ISBN : 9783638522021
Genre : Literary Criticism
File Size : 88. 87 MB
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Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Cologne (Englisches Seminar), course: Hauptseminar: Concepts of Britishness in British Cinema, 13 entries in the bibliography, language: English, abstract: The drama Oranges Are Not the Only Fruit tells the story of a young lesbian girl, Jeanette/Jess, who is raised in a repressive Pentecostal home by an overpowering mother. Jess tries to find her sexual identity in the context of the fanatical Pentecostal church. Although Jess herself does not have any problems with her sexuality combined with her religiosity at all, she gets into a conflict with the Christian community and into a deep inner conflict because the church regards her sexuality as a sin and herself as possessed by demons. This paper discusses how the different conflicts in the story arise and which impact the film’s way of representing religion and lesbianism has on the viewer. It demonstrates how the ways in which the novel and the film version ofOrangespresent lesbianism work to naturalize and normalize it. By its representation of lesbian love and the church as its enemy Oranges challenges normative values and conventional standards.Oranges makes an attempt to reverse the viewer’s former attitudes towards these opponents.

Why Be Happy When You Could Be Normal

Author : Jeanette Winterson
ISBN : 9780802194756
Genre : Biography & Autobiography
File Size : 44. 58 MB
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Jeanette Winterson’s novels have establishing her as a major figure in world literature. She has written some of the most admired books of the past few decades, including her internationally bestselling first novel, Oranges Are Not the Only Fruit, the story of a young girl adopted by Pentecostal parents that is now often required reading in contemporary fiction. Why Be Happy When You Could Be Normal? is a memoir about a life’s work to find happiness. It's a book full of stories: about a girl locked out of her home, sitting on the doorstep all night; about a religious zealot disguised as a mother who has two sets of false teeth and a revolver in the dresser, waiting for Armageddon; about growing up in an north England industrial town now changed beyond recognition; about the Universe as Cosmic Dustbin. It is the story of how a painful past that Jeanette thought she'd written over and repainted rose to haunt her, sending her on a journey into madness and out again, in search of her biological mother. Witty, acute, fierce, and celebratory, Why Be Happy When You Could Be Normal? is a tough-minded search for belonging—for love, identity, home, and a mother.

Great Moments In Aviation And Oranges Are Not The Only Fruit

Author : Jeanette Winterson
ISBN : 009928541X
Genre : English drama
File Size : 56. 4 MB
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Two Jeanette Winterson film scripts. Set in the 1950s, Great Moments in Aviation features a young black woman with a passion for aeroplanes. Oranges Are Not the Only Fruit, an award-winning television drama, is an adaptation of the author's novel of the same name.

Gut Symmetries

Author : Jeanette Winterson
ISBN : 9780307763631
Genre : Fiction
File Size : 33. 68 MB
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The highwire artist of the English novel redraws the romantic triangle for the post-Einsteinian universe, where gender is as elastic as matter, and any accurate Grand Unified Theory (GUT) must encompass desire alongside electromagnetism and gravity. One starry night on a boat in the mid-Atlantic, Alice, a brilliant English theoretical physicist, begins an affair with Jove, her remorselessly seductive American counterpart. But Jove is married. When Alice confronts his wife, Stella, she swiftly falls in love with her, with consequences that are by turns horrifying, comic, and arousing. Vaulting from Liverpool to New York, from alchemy to string theory, and from the spirit to the flesh, Gut Symmetries is a thrillingly original novel by England's most flamboyantly gifted young writer. "Winterson is unmatched among contemporary writers in her ability to conjure up new-world wonder...A beautiful, stirring and brilliant story."--Times Literary Supplement "Dazzling for [its] intelligence and inventiveness...[Winterson] is possessed of a masterly command of the language and a truly pliant imagination."--Elle "One of our most brilliant, visionary storytellers."--San Francisco Chronicle

Lighthousekeeping

Author : Jeanette Winterson
ISBN : 9780307366610
Genre : Fiction
File Size : 63. 15 MB
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Motherless and anchorless, red-headed Silver is taken in by the timeless Mr. Pew, keeper of the Cape Wrath lighthouse, located at the isolated northwestern tip of Scotland. Pew teaches her to “man the light” but more importantly he tells her ancient tales of longing and rootlessness, of ties that bind and of the slippages that occur throughout every life, not least those of the local inhabitants. One local, Babel Dark, a nineteenth-century clergyman who loved one woman but married another, opens like a map that Silver must follow. Caught in her own particular darknesses, she embarks on an Ulyssean sift through the stories we tell ourselves, stories of love and loss, of passion and regret, stories of unending journeys that move through places and times, and the bleak finality of the shores of betrayal. A story of mutability, of talking birds and stolen books, of Darwin and Stevenson and of the Jekyll and Hyde in all of us, Lighthousekeeping is a way in to the rooms of our own that we secretly inhabit and the lighthouses we strive towards. Jeanette Winterson is one of the most extraordinary and original writers of her generation and this shows her at her lyrical best. From the Hardcover edition.

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