music of the spheres pdf

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The Music Of The Spheres

Author : Jamie James
ISBN : 0387944745
Genre : Music
File Size : 62. 88 MB
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For centuries, scientists and philosophers believed that the universe was a stately, ordered mechanism, both mathematical and musical. The perceived distances between objects in the sky mirrored (and were mirrored by) the spaces between notes forming chords and scales. The smooth operation of the cosmos created a divine harmony that composers sought to capture and express. Jamie James allows readers to see how this scientific philosophy emerged, how it was shattered by changing views of the universe and the rise of Romanticism, and to what extent it survives today - if at all. From Pythagoras to Newton, Bach to Beethoven, and on to the twentieth century of Einstein, Schoenberg, Stravinsky, Cage and Glass. A spellbinding examination of the interwoven fates of science and music throughout history.

A Psychic Study Of The Music Of The Spheres

Author : D. Rogo
ISBN : 1933665041
Genre : Music
File Size : 30. 76 MB
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This second volume of D. Scott Rogo's groundbreaking study of paranormal music experiences examines their relation to out of body experiences, survival after death, and other psychic phenomena. A Psychic Study of the Music of the Spheres also tackles the question of auditory hallucinations head on, and provides a fascinating theoretical discussion of how paranormal music is "heard." Finally, by applying the technique of pattern analysis to 58 cases of paranormal music experiences, Rogo is able to draw meaningful conclusions about the reality - and source - of this "otherworldly" music. "I wish to state that I believe this book represents a very significant and pioneering study of a little-known psychical phenomenon of great importance." - Raymond Bayless D. Scott Rogo (1950-1990) was one of the most widely respected writer-journalists covering the field of parapsychology, as well as an active scientific investigator. Educated at the University of Cincinnati and San Fernando Valley State College, Rogo held a unique position in parapsychology and made many contributions to the field that deserve recognition. He served as a visiting researcher at the Psychical Research Foundation, then in Durham, North Carolina, and at the Division of Parapsychology and Psychophysics of the Maimonides Medical Center in Brooklyn, New York. He published papers on ESP in referred parapsychological journals and was active in field investigations of hauntings and poltergeists. Rogo was also a leading authority on the history of psychical research; the breadth of his historical knowledge of the field was unsurpassed. Over the course of more than two-dozen published books, Rogo sought to broaden the range of topics worthy of paranormal research.

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ISBN : 9789772937554
Genre : Philosophy
File Size : 64. 35 MB
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أجل إننا لسنا نوافق أفلاطون في كل نظرياته, وقد نشرناها على مسؤوليته، ولكننا معجبون وأكثر من معجبين, بنظام تفكيره, ورحابة صدره, وضبطه في الإحكام, وفيض بلاغته وبيانه. ونشاركه في غرض التأليف العام وهو((السعادة)) وفي الوسيلة الخاصة المؤدية إلى ذلك الغرض وهي ((الفضيلة)) ونافقه في أن الفضيلة تراد لذاتها ونتائجها. وفي أن الفرد دولة مصغرة والدولة جسـم كبير, وأن ما يسعد الدولة يسـعد الفرد، وأن الرجل الكـامل – المثـل الأعلى – هو الذي تحكم عقله في شهواته, وانقادت حماسته إلى حكمته, وعاش ومات في خدمة المجموع. body,div,table,thead,tbody,tfoot,tr,th,td,p { font-family:"Calibri"; font-size:x-small } a.comment-indicator:hover + comment { background:#ffd; position:absolute; display:block; border:1px solid black; padding:0.5em; } a.comment-indicator { background:red; display:inline-block; border:1px solid black; width:0.5em; height:0.5em; } comment { display:none; }

Music As History In Tamilnadu

Author : T. K. Venkatasubramanian
ISBN : 9789380607061
Genre : History
File Size : 67. 92 MB
Format : PDF
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Recent scholarship on the history of music in South Asia has examined the processes by which music as an art form was reinvented for nationalist purposes, yet, the disciplined study of music (and its aesthetics) remains only a few centuries old. Studying music through a historical lens has opened new approaches to interdisciplinary studies. Music as History in Tamilnadu examines how history can be interpreted through aesthetics and music and vice versa. Musicologists focus on the study of musical activity, while ethnomusicologists examine this activity first-hand using the 'field' research methods of cultural anthropology. The historian's task, then, is to interpret the musical past as part of cultural production and thereafter relate music to general historical trends. This collection of essays seeks to establish the interdisciplinarity between music (the Karnatak system) and the history of Tamilnadu, south India.

Dante S Journey To Polyphony

Author : Francesco Ciabattoni
ISBN : 9780802096265
Genre : Literary Criticism
File Size : 23. 25 MB
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In Dante's Journey to Polyphony, Francesco Ciabattoni's erudite analysis sheds light on Dante's use of music in the Divine Comedy. Following the work's musical evolution, Ciabattoni moves from the cacophony of Inferno through the monophony of Purgatory, to the polyphony of Paradise and argues that Dante's use of sacred songs constitutes a thoroughly planned system. Particular types of music accompany the pilgrim's itinerary and reflect medieval theories regarding sound and the sacred. Combining musicological and philological scholarship, this book analyzes Dante's use of music in conjunction with the form and content of his verse, resulting in a cross-discipline analysis also touching on Italian Studies, Medieval Studies, and Cultural History. After moving from infernal din to heavenly harmony, Ciabattoni's final section addresses the music of the spheres, a theory that enjoyed great diffusion among the early middle ages, inspiring poets and philosophers for centuries.

Composing The World

Author : Andrew Hicks
ISBN : 9780190658229
Genre : Music
File Size : 34. 99 MB
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"We can hear the universe!" This was the triumphant proclamation at a February 2016 press conference announcing that the Laser Interferometer Gravity Observatory (LIGO) had detected a "transient gravitational-wave signal." What LIGO heard in the morning hours of September 14, 2015 was the vibration of cosmic forces unleashed with mind-boggling power across a cosmic medium of equally mind-boggling expansiveness: the transient ripple of two black holes colliding more than a billion years ago. The confirmation of gravitational waves sent tremors through the scientific community, but the public imagination was more captivated by the sonic translation of the cosmic signal, a sound detectable only through an act of carefully attuned listening. As astrophysicist Szabolcs Marka remarked, "Until this moment, we had our eyes on the sky and we couldn't hear the music. The skies will never be the same." Taking in hand this current "discovery" that we can listen to the cosmos, Andrew Hicks argues that sound--and the harmonious coordination of sounds, sources, and listeners--has always been an integral part of the history of studying the cosmos. Composing the World charts one constellation of musical metaphors, analogies, and expressive modalities embedded within a late-ancient and medieval cosmological discourse: that of a cosmos animated and choreographed according to a specifically musical aesthetic. The specific historical terrain of Hicks' discussion centers upon the world of twelfth-century philosophy, and from there he offers a new intellectual history of the role of harmony in medieval cosmological discourse, a discourse which itself focused on the reception and development of Platonism. Hicks illuminates how a cosmological aesthetics based on the "music of the spheres" both governed the moral, physical, and psychic equilibrium of the human, and assured the coherence of the universe as a whole. With a rare convergence of musicological, philosophical, and philological rigor, Hicks presents a narrative tour through medieval cosmology with reflections on important philosophical movements along the way, raising connections to Cartesian dualism, Uexk?ll's theoretical biology, and Deleuze and Guattari's musically inspired language of milieus and (de)territorialization. Hicks ultimately suggests that the models of musical cosmology popular in late antiquity and the twelfth century are relevant to our modern philosophical and scientific undertakings. Impeccably researched and beautifully written, Composing the World will resonate with a variety of readers, and it encourages us to rethink the role of music and sound within our greater understanding of the universe.

Music And Manipulation

Author : Steven Brown
ISBN : 9781845450984
Genre : Music
File Size : 86. 8 MB
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Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music's behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music's diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality.

Author : Dante Alighieri
ISBN : 9953441006
Genre :
File Size : 28. 62 MB
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Digterværk, som skildrer Dantes vandring sammen med digteren Vergil fra Helvede gennem Purgatoriet (Skærsilden) til Paradis, hvor han genser sin elskede Beatrice

The British Study Edition Of The Urantia Papers Book Ereader Pdf

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ISBN :
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File Size : 23. 19 MB
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A History Of Western Musical Aesthetics

Author : Edward A. Lippman
ISBN : 0803279515
Genre : Music
File Size : 48. 45 MB
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Among the fine arts music has always held a paramount position. "Musical training is a more potent instrument than any other, because rhythm and harmony find their way into the inward places of the soul, " wrote Plato. From the "music of the spheres" of Pythagoras to the "Future Music" of Wagner, from churches, courts, cathedrals, and concert halls to amateur recitals, military marches, and electronic records, music has commanded the perpetual attention of every civilization in history. This book follows through the centuries the debates about the place and function of music, the perceived role of music as a good or bad influence on the development of character, as a magical art or a domestic entertainment, and as a gateway to transcendental truths. Edward Lippman describes the beginnings of musical tradition in the myths and philosophies of antiquity. He shows how music theory began to take on new dimensions and intensity in the seventeenth century, how musical aesthetics was specifically defined and elaborated in the eighteenth century, and how, by the nineteenth century, music became the standard by which other arts were judged. The twentieth century added problems, pressure, and theories as music continued to diversify and as cultures viewed each other with more respect.

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